An Introduction to the Study of PoetryK. Paul, Trench & Company, 1882 - Всего страниц: 328 |
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Стр. vi
... true nature and end of artistic creation . But I feel too deeply the impossibility of stating any truth directly and completely , to wish that what I affirm should be considered as offering more than partial and temporary aspects ...
... true nature and end of artistic creation . But I feel too deeply the impossibility of stating any truth directly and completely , to wish that what I affirm should be considered as offering more than partial and temporary aspects ...
Стр. 3
... true interchange of thought . With the enormous increase of facilities for learning the thoughts of others we seem to be losing our own independence of thought , content to spend the time and energy that are at our disposal for such ...
... true interchange of thought . With the enormous increase of facilities for learning the thoughts of others we seem to be losing our own independence of thought , content to spend the time and energy that are at our disposal for such ...
Стр. 5
... true characteristics and its true functions when limited to the meaning to which I propose confining it . And to do this we must go back to what is rather a philological subject - the origin of words unwritten ; the origin , that is ...
... true characteristics and its true functions when limited to the meaning to which I propose confining it . And to do this we must go back to what is rather a philological subject - the origin of words unwritten ; the origin , that is ...
Стр. 13
... continued to be used by them together with phonetics till a late date . The Phoenicians were probably the first who used an alphabet of true represent that sound . Similarly " 1 " was represented LITERATURE - ITS ORIGIN AND NATURE . 13.
... continued to be used by them together with phonetics till a late date . The Phoenicians were probably the first who used an alphabet of true represent that sound . Similarly " 1 " was represented LITERATURE - ITS ORIGIN AND NATURE . 13.
Стр. 15
... true ; but have we seen them ? How , then , are we to name them ? It is a commonplace that , as Locke remarks , " Names which stand for things not under our senses have their rise from sensible ideas . " * Take , for instance , the ...
... true ; but have we seen them ? How , then , are we to name them ? It is a commonplace that , as Locke remarks , " Names which stand for things not under our senses have their rise from sensible ideas . " * Take , for instance , the ...
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admiration Æschylus allegorical ancient appearance artistic beauty belief Byron called character Childe Harold Christabel clouds Coleridge colours creation creative cynicism Dante dark death deep Demogorgon described divine drama dream earth emotion Endymion Erinyes existence expression exquisite external eyes fact faculty false Faust feeling flame transformed flowers French Revolution Geryon Goethe grandeur Greek heart heaven human idea ideal imagination imitation intense Karl Elze Keats language Leigh Hunt literature living look loveliness lyric poetry lyrical Manfred material meaning memory merely mind modern nature Nether Stowey numbers object painter passage passed passion perfection perhaps philosopher picture Plato poems poet poet's poetic poetry Pope Prometheus Prometheus Unbound reality represent Sara Coleridge says scene scenery sculpture seems sense Shakespeare shape Shelley Shelley's soul speak Spenser spirit star sublime sweet sympathy things thought true truth utterly verse vision wandered words Wordsworth writings
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Стр. 83 - I see before me the Gladiator lie; He leans upon his hand, — his manly brow Consents to death, but conquers agony. And his drooped head sinks gradually low, And through his side the last drops, ebbing slow, From the red gash, fall heavy, one by one, Like the first of a thunder-shower; and now The arena swims around him, — he is gone Ere ceased the inhuman shout which hailed the wretch who won.
Стр. 196 - Lyrical Ballads, in which it was agreed that my endeavours should be directed to persons and characters supernatural, or at least romantic — yet so as to transfer from our inward nature a human interest and a semblance of truth sufficient to procure for these shadows of imagination that willing suspension of disbelief, for the moment, which constitutes poetic faith.
Стр. 277 - I live not in myself, but I become Portion of that around me; and to me High mountains are a feeling, but the hum Of human cities torture...
Стр. 266 - He is made one with Nature. There is heard His voice in all her music, from the moan Of thunder to the song of night's sweet bird. He is a presence to be felt and known In darkness and in light, from herb and stone ; Spreading itself where'er that Power may move Which has withdrawn his being to its own, Which wields the world with never-wearied love, Sustains it from beneath, and kindles it above.
Стр. 102 - The other Shape — If shape it might be called that shape had none Distinguishable in member, joint, or limb; Or substance might be called that shadow seemed, For each seemed either — black it stood as Night, Fierce as ten Furies, terrible as Hell, And shook a dreadful dart: what seemed his head The likeness of a kingly crown had on.
Стр. 258 - Forlorn ! the very word is like a bell To toll me back from thee to my sole self ! Adieu ! the fancy cannot cheat so well As she is famed to do, deceiving elf. Adieu ! adieu ! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades : Was it a vision, or a waking dream? Fled is that music: — do I wake or sleep?
Стр. 239 - IT is a beauteous evening, calm and free ; The holy time is quiet as a Nun Breathless with adoration...
Стр. 317 - To suffer woes which hope thinks infinite ; To forgive wrongs darker than death or night ; To defy power which seems omnipotent ; To love and bear ; to hope till hope creates From its own wreck the thing it contemplates...
Стр. 212 - The immeasurable height Of woods decaying, never to be decayed, The stationary blasts of waterfalls, And in the narrow rent at every turn Winds thwarting winds, bewildered and forlorn, The torrents shooting from the clear blue sky...
Стр. 119 - I falter where I firmly trod, And falling with my weight of cares Upon the great world's altar-stairs That slope thro' darkness up to God, I stretch lame hands of faith, and grope, And gather dust and chaff, and call To what I feel is Lord of all, And faintly trust the larger hope.