An Introduction to the Study of PoetryK. Paul, Trench & Company, 1882 - Всего страниц: 328 |
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Стр. 24
... passages as examples of associa- tive power , I am aware that Whitman's poem has a loftier scope than mere pathos . The " drift of it is something grand , " as he would say ; its tendency at least is upwards - towards some sort of ideal ...
... passages as examples of associa- tive power , I am aware that Whitman's poem has a loftier scope than mere pathos . The " drift of it is something grand , " as he would say ; its tendency at least is upwards - towards some sort of ideal ...
Стр. 51
... passage . It is from Eckermann's Gespräche mit Goethe . " He and the great German 66 * Compare what Dante says ( Par . 8. 100 ) : " Not only are the natures of things pre - ordained in that mind which is perfect in itself , but they ...
... passage . It is from Eckermann's Gespräche mit Goethe . " He and the great German 66 * Compare what Dante says ( Par . 8. 100 ) : " Not only are the natures of things pre - ordained in that mind which is perfect in itself , but they ...
Стр. 58
... and ways be foul , Then nightly sings the staring owl— Tu whit : Tu - who , a merry note , While greasy Joan doth keel the pot . " In these passages it is not description but com- position 58 INTRODUCTION TO STUDY OF POETRY .
... and ways be foul , Then nightly sings the staring owl— Tu whit : Tu - who , a merry note , While greasy Joan doth keel the pot . " In these passages it is not description but com- position 58 INTRODUCTION TO STUDY OF POETRY .
Стр. 59
Henry Bernard Cotterill. In these passages it is not description but com- position that produces the picture for us . In the description of appearance poetry is a rival of painting , and must abandon her peculiar powers . Suppose , for ...
Henry Bernard Cotterill. In these passages it is not description but com- position that produces the picture for us . In the description of appearance poetry is a rival of painting , and must abandon her peculiar powers . Suppose , for ...
Стр. 66
... passage of true poetry , we shall find how this capacity for " movement " is taken advantage of by the poets . What some critics - especially French critics . -have called the barbarous luxuriance of Shakespeare in crowding image upon ...
... passage of true poetry , we shall find how this capacity for " movement " is taken advantage of by the poets . What some critics - especially French critics . -have called the barbarous luxuriance of Shakespeare in crowding image upon ...
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admiration Æschylus allegorical ancient appearance artistic beauty belief Byron called character Childe Harold Christabel clouds Coleridge colours creation creative cynicism Dante dark death deep Demogorgon described divine drama dream earth emotion Endymion Erinyes existence expression exquisite external eyes fact faculty false Faust feeling flame transformed flowers French Revolution Geryon Goethe grandeur Greek heart heaven human idea ideal imagination imitation intense Karl Elze Keats language Leigh Hunt literature living look loveliness lyric poetry lyrical Manfred material meaning memory merely mind modern nature Nether Stowey numbers object painter passage passed passion perfection perhaps philosopher picture Plato poems poet poet's poetic poetry Pope Prometheus Prometheus Unbound reality represent Sara Coleridge says scene scenery sculpture seems sense Shakespeare shape Shelley Shelley's soul speak Spenser spirit star sublime sweet sympathy things thought true truth utterly verse vision wandered words Wordsworth writings
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Стр. 83 - I see before me the Gladiator lie; He leans upon his hand, — his manly brow Consents to death, but conquers agony. And his drooped head sinks gradually low, And through his side the last drops, ebbing slow, From the red gash, fall heavy, one by one, Like the first of a thunder-shower; and now The arena swims around him, — he is gone Ere ceased the inhuman shout which hailed the wretch who won.
Стр. 196 - Lyrical Ballads, in which it was agreed that my endeavours should be directed to persons and characters supernatural, or at least romantic — yet so as to transfer from our inward nature a human interest and a semblance of truth sufficient to procure for these shadows of imagination that willing suspension of disbelief, for the moment, which constitutes poetic faith.
Стр. 277 - I live not in myself, but I become Portion of that around me; and to me High mountains are a feeling, but the hum Of human cities torture...
Стр. 266 - He is made one with Nature. There is heard His voice in all her music, from the moan Of thunder to the song of night's sweet bird. He is a presence to be felt and known In darkness and in light, from herb and stone ; Spreading itself where'er that Power may move Which has withdrawn his being to its own, Which wields the world with never-wearied love, Sustains it from beneath, and kindles it above.
Стр. 102 - The other Shape — If shape it might be called that shape had none Distinguishable in member, joint, or limb; Or substance might be called that shadow seemed, For each seemed either — black it stood as Night, Fierce as ten Furies, terrible as Hell, And shook a dreadful dart: what seemed his head The likeness of a kingly crown had on.
Стр. 258 - Forlorn ! the very word is like a bell To toll me back from thee to my sole self ! Adieu ! the fancy cannot cheat so well As she is famed to do, deceiving elf. Adieu ! adieu ! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades : Was it a vision, or a waking dream? Fled is that music: — do I wake or sleep?
Стр. 239 - IT is a beauteous evening, calm and free ; The holy time is quiet as a Nun Breathless with adoration...
Стр. 317 - To suffer woes which hope thinks infinite ; To forgive wrongs darker than death or night ; To defy power which seems omnipotent ; To love and bear ; to hope till hope creates From its own wreck the thing it contemplates...
Стр. 212 - The immeasurable height Of woods decaying, never to be decayed, The stationary blasts of waterfalls, And in the narrow rent at every turn Winds thwarting winds, bewildered and forlorn, The torrents shooting from the clear blue sky...
Стр. 119 - I falter where I firmly trod, And falling with my weight of cares Upon the great world's altar-stairs That slope thro' darkness up to God, I stretch lame hands of faith, and grope, And gather dust and chaff, and call To what I feel is Lord of all, And faintly trust the larger hope.