Cambridge University Press, 10 июн. 2004 г. - Всего страниц: 260
This book studies Shakespeare's changing vision of Rome in the six works where the city serves as a setting. Unlike other scholars treatment, the subject Dr Miola offers a coherent analysis of all the major appearances of Rome in the Shakespeare canon. Shakespeare's recurrent and varied treatment of Rome suggests that a close examination of the city's transformations can teach us much about his development as a playwright and the development of his dramatic vision. The book focuses on Shakespeare's changing conception of the Roman city, its people, and its ideals. Dr Miola examines the symbolic and topographical features that help define the city.
Отзывы - Написать отзыв
Не удалось найти ни одного отзыва.
action Aeneas Aeneid allusion Antony and Cleopatra Antony's appears audience becomes blood body brother Brutus Brutus's Cassius character civil classical common Coriolanus Coriolanus's course critical Cymbeline death depicts Dido discusses earlier Elizabethan English example expresses fall fame father figure final follow force give gods hand heart honor human imagery Imogen important invasion iron Italy Julius Caesar later Lavinia leads live Lucius Lucrece Lucrece's moral mother nature noble notes opening Ovid past play Plutarch poem political Posthumus present provides rape recalls reference Renaissance reveals rhetoric Roman Roman Plays Rome scene Shake Shakespeare's Shakespeare's Roman shows siege similar sons speech stage stand story struggle Studies suggests sword symbol takes Tarquin thou tion Titus Andronicus traditions tragedy translation Troy turn University Press Unlike various Vergil virtue vision walls York