A Manner of Speaking: For Effective CommunicationPutnam, 1961 - Всего страниц: 362 |
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Стр. 153
... auditory perception except that his ear seems rela- tively insensitive to high - frequency sounds . As a result , he may be unable to distinguish certain ... auditory impressions , have been established by past auditory Ear Training | 153.
... auditory perception except that his ear seems rela- tively insensitive to high - frequency sounds . As a result , he may be unable to distinguish certain ... auditory impressions , have been established by past auditory Ear Training | 153.
Стр. 158
... auditory memory image of what the intonation pattern should sound like in terms of that meaning . Such an ability is based upon years of listening experience . Auditory Memory and Guidance A person with normal hearing hears his own ...
... auditory memory image of what the intonation pattern should sound like in terms of that meaning . Such an ability is based upon years of listening experience . Auditory Memory and Guidance A person with normal hearing hears his own ...
Стр. 164
... auditory area of the brain can be greatly improved , as may be illustrated by the phenomenal auditory discernment often developed by the blind and by experienced conductors of large orchestras . The effectiveness of communication is ...
... auditory area of the brain can be greatly improved , as may be illustrated by the phenomenal auditory discernment often developed by the blind and by experienced conductors of large orchestras . The effectiveness of communication is ...
Содержание
THE STRENGTH AND BASIC QUALITY OF THE VOICE | 88 |
THE REPRESENTATION OF SPEECH SOUNDS | 115 |
EAR TRAINING | 152 |
Авторские права | |
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Часто встречающиеся слова и выражения
accent actor adjustment air molecules amplitude articulation attempt attitudes audience auditory breath pressure Caesar cavity cavity resonators changes communication consonant sounds cultured degree develop dictionary diphthong ear training Edna Ferber effective eliminate emotional enunciation example force emphasis frequency Fricative Consonant glottis Gunga Din habits of vocalization hear improve indicated inflections larynx listeners loudness manner of speaking means Method mouth muscles muscular nasal nasal cavities normal one's pauses physical Practice reading pronunciation quality of voice reading the following recognized relatively resonator result rhythm sense sentences skill social inhibitions soft palate sound wave speaker speech intonation pattern speech materials speech personality speech situation speech sounds spelling spontaneous stage fright standard substitute syllables symbols thee thoughts and feelings tion tonal expression tongue usually uttered variations verbal vibrating vocal cords vocal instrument vocal quality vocal tones voice quality vowel sounds W. S. Gilbert William Shakespeare words