Shakespearean CriticismGale, 2004 - Всего страниц: 384 This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes one through ten present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 11-26 focus on the history of Shakespeare's plays on the stage and in important film adaptations. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. Starting with Vol. 57 the series provides general criticism published since 1990 and historical criticism not featured in previous volumes on four to five plays or works per volume. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. |
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Стр. 23
... production in which death tends to come by bullet , you are gratified that it is rounded off with an immensely exciting duel of rapiers that exploits the immense new width of the stage . Fortinbras quietly assumes control and the suits ...
... production in which death tends to come by bullet , you are gratified that it is rounded off with an immensely exciting duel of rapiers that exploits the immense new width of the stage . Fortinbras quietly assumes control and the suits ...
Стр. 102
... production of Henry VIII directed by Gregory Doran . He praises the traditional staging of the play and comments on the production's pageantry , including the bejeweled set and gold - flecked costumes . ] The English King's gilded ...
... production of Henry VIII directed by Gregory Doran . He praises the traditional staging of the play and comments on the production's pageantry , including the bejeweled set and gold - flecked costumes . ] The English King's gilded ...
Стр. 103
... production is that these three historical figures , who can often seem little more than puppets in a gaudy processional , are here imagined as feeling and thinking people . Even in the purple speech by Cranmer , Wolsey's successor ...
... production is that these three historical figures , who can often seem little more than puppets in a gaudy processional , are here imagined as feeling and thinking people . Even in the purple speech by Cranmer , Wolsey's successor ...
Содержание
Hamlet | 1 |
Character Studies | 14 |
Production Reviews | 21 |
Авторские права | |
Не показаны другие разделы: 11
Другие издания - Просмотреть все
Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Просмотр фрагмента - 1984 |
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action actors Anne argues audience body Bottom Buckingham Cambridge character chastity Claudius comedy comic complaint Cranmer crece critical culture Cymbeline death Demetrius dramatic Elizabeth Elizabethan England English essay date eyes fairies father figure Foakes Ghost Hamlet Hecuba Helena Henry VIII Henry's Hermia heroic Hippolyta honor Horatio human imagination James John Katherine King Henry Laertes literary London Lord Love's Labour's Lost lovers Lucrece's Lysander male marriage masque Midsummer Night's Dream modern notes Oberon Oxford performance play play's plot poem political Polonius Prince Prince Hamlet proverbs Puck Pyramus Pyramus and Thisbe Queen Rape of Lucrece Renaissance revenge rhetoric Richard Richard III role Roman royal satiric scene sense sexual Shake social soul speare speare's speech stage Studies suggests symbol Tarquin theater theatrical Theseus thou tion Titania tradition tragedy Univ University Press William William Shakespeare Wolsey woman women words York