Tinig: The Living Voice in Conversation, Том 2Amelia Lapeña-Bonifacio U.P. Creative Writing Center with the assistance of the Committee on Literary Arts, National Commission, 1993 - Всего страниц: 417 |
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Стр. 223
... called obligatory scenes — there are certain scenes which must be shown in action and cannot be nar- rated by one of the characters . If any of these essential scenes are omitted or it is described only in dialogue by some other ...
... called obligatory scenes — there are certain scenes which must be shown in action and cannot be nar- rated by one of the characters . If any of these essential scenes are omitted or it is described only in dialogue by some other ...
Стр. 286
... called " The Writer's Dilemma " where I had the temerity to make the following claim : The lack of tonal range seems to me to be the most confining feature of the Tagalog language for purposes of the subtle arts ; it permits of no ...
... called " The Writer's Dilemma " where I had the temerity to make the following claim : The lack of tonal range seems to me to be the most confining feature of the Tagalog language for purposes of the subtle arts ; it permits of no ...
Стр. 327
... called instinctive procedure of creating where the rules of artistic craft are violated or ig- nored . The intuitional does not seek to replace the intel- lect ; it is concerned with leaping over and beyond our ra- tional ideas and ...
... called instinctive procedure of creating where the rules of artistic craft are violated or ig- nored . The intuitional does not seek to replace the intel- lect ; it is concerned with leaping over and beyond our ra- tional ideas and ...
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HERMINIO S BELTRAN | 4 |
LUALHATI BAUTISTA | 13 |
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akda akong Allos anak anakpawis ay hindi babae bagay bagong Baguio bahagi bakit Balagtas Bannawag bansa batas bawat bayan bayaning Rizal bilang Bisaya buhay Bulosan buong creative cultural dahil dalawang dapat dekada dito dula dulang e.e. cummings Filipino Florante ganitong gaya halimbawa hanggang higit hindi iba't ibang Ilokano ito ay ito'y itong iyon iyong kahit kailangan kanilang kanyang kapag kasaysayan kaya kaya't kilusang kong kundi kung kuwento lahat lalaki lalo lamang loob lunsod maaaring maging makata mamamayan mandudula Manila manunulat maraming masa Mindanao mula naging naman nang natin ng isang ng kanyang ng mga ngayon ngunit nila nito niya noong nunchaku pag-ibig pagiging pagsulat pagsusulat pamamagitan pambansa panahon panambitan pang pangunahing parang Philippines play poem poet poetry rebolusyon Rizal sa mga sabihin salita salitang sarili Sentro siya siyang story T.S. Eliot Tagalog taong theater tinig tula tulad tunay tungkol unang upang wala walang wika wikang writing