 | David Hume - 1826 - Страниц: 508
...the soul, which remains unalterably i"i^!™)uiiyf *-he same, perhaps for one moment. The mind is a kind of theatre, where several perceptions successively...time, nor identity in different, whatever natural propension we may have to imagine that simplicity and identity. The comparison of the theatre must... | |
 | David Hume - 1854 - Страниц: 468
...single power of the soul, which remains unalterably the same, perhaps for one moment. The mind is a kind of theatre, where several perceptions successively...pass, repass, glide away, and mingle in an infinite varicty of postures and situations. There is properly no simplicity in it at one time, nor identity... | |
 | Dugald Stewart - 1858 - Страниц: 548
...other with an inconceivable rapidity, and are in a perpetual flux and movement. . . . The mind is a kind of theatre, where several perceptions successively...appearance ; pass, repass, glide away, and mingle iu an infinite variety of postures and situations. There is properly no simplicity in it at one time,... | |
 | Victor Cousin - 1855 - Страниц: 650
...The mind is a kind of theater, where several perceptions successively make their appearance, pass and repass, glide away and mingle in an infinite variety of postures and situations The comparison of the theater must not mislead us. They are the successive perceptions only that constitute... | |
 | 1865 - Страниц: 728
...lying behind phenomena, either sensible or mental. " The mind is a kind of theatre," says Mr. Hume, " where several perceptions successively make their...time, nor identity in different ; whatever natural propension we may have to imagine that simplicity and identity. The comparison of the theatre must... | |
 | Charles Beard - 1865 - Страниц: 736
...lying behind phenomena, either sensible or mental. " The mind is a kind of theatre," says Mr. Hume, " where several perceptions successively make their...time, nor identity in different; whatever natural propension we may have to imagine that simplicity and' identity. The comparison of the theatre must... | |
 | William Jackson - 1874 - Страниц: 432
...any time without a perception, and never can observe anything but the perception. . . . The mind is a kind of theatre, where several perceptions successively...time, nor identity in different ; whatever natural propension we may have to imagine that simplicity and identity. The comparison of the theatre must... | |
 | David Hume - 1874 - Страниц: 604
...single power of the soul, which remains unalterably the same, perhaps for one moment. The mind is a kind of theatre, where several perceptions successively...time, nor identity in different; whatever natural propension we may have to imagine that simplicity and identity. The comparison of the theatre must... | |
 | William Jackson - 1874 - Страниц: 436
...any time without a perception, and never can observe anything but the perception. . . . The mind is a kind of theatre, where several perceptions successively...time, nor identity in different ; whatever natural propension we may have to imagine that simplicity and identity. The comparison of the theatre must... | |
 | David Hume - 1874 - Страниц: 604
...single power of the soul, which remains unalterably the same, perhaps for one moment. The mind is a kind of theatre, where several perceptions successively...time, nor identity in different; whatever natural propension we may have to imagine that simplicity and identity. The comparison of the theatre must... | |
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The mind is a kind of theatre, where several perceptions successively make their appearance ; pass, repass, glide away, and mingle in an infinite variety of postures and situations. 
