Othello and Interpretive TraditionsUniversity of Iowa Press, 1 авг. 1999 г. - Всего страниц: 272 During the past twenty years or so, Othello has become the Shakespearean tragedy that speaks most powerfully to our contemporary concerns. Focusing on race and gender (and on class, ethnicity, sexuality, and nationality), the play talks about what audiences want to talk about. Yet at the same time, as refracted through Iago, it forces us to hear what we do not want to hear; like the characters in the play, we become trapped in our own prejudicial malice and guilt. |
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Edward Pechter. OTHELLO & INTERPRETIVE TRADITIONS Edward Pechter STUDIES IN THEATRE HISTORY & CULTURE During the pat twenty years ons6 , Othello has become. Front Cover.
Edward Pechter. OTHELLO & INTERPRETIVE TRADITIONS Edward Pechter STUDIES IN THEATRE HISTORY & CULTURE During the pat twenty years ons6 , Othello has become. Front Cover.
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... traditions are distinguishable from one another as a matter of analytical convenience , Pechter 【 OTHELLO and Interpretive Traditions This One SFJN - TB1.
... traditions are distinguishable from one another as a matter of analytical convenience , Pechter 【 OTHELLO and Interpretive Traditions This One SFJN - TB1.
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Edward Pechter. 【 OTHELLO and Interpretive Traditions This One SFJN - TB1 - JTHA STUDIES IN THEATRE HISTORY AND CULTURE Edited by Thomas Postlewait.
Edward Pechter. 【 OTHELLO and Interpretive Traditions This One SFJN - TB1 - JTHA STUDIES IN THEATRE HISTORY AND CULTURE Edited by Thomas Postlewait.
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Edward Pechter. STUDIES IN THEATRE HISTORY AND CULTURE Edited by Thomas Postlewait EDWARD PECHTER OTHELLO and Interpretive Traditions UNIVERSITY OF IOWA PRESS.
Edward Pechter. STUDIES IN THEATRE HISTORY AND CULTURE Edited by Thomas Postlewait EDWARD PECHTER OTHELLO and Interpretive Traditions UNIVERSITY OF IOWA PRESS.
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Edward Pechter. EDWARD PECHTER OTHELLO and Interpretive Traditions UNIVERSITY OF IOWA PRESS Iowa City University of Iowa Press , Iowa City 52242 Copyright ©
Edward Pechter. EDWARD PECHTER OTHELLO and Interpretive Traditions UNIVERSITY OF IOWA PRESS Iowa City University of Iowa Press , Iowa City 52242 Copyright ©
Содержание
Othello in Theatrical and Critical History | 11 |
Disconfinuation | 30 |
lago | 53 |
The Fall of Othello | 79 |
The Pity Act | 113 |
Death without Transfiguration | 141 |
Interpretation as Contamination | 169 |
Character Endures | 183 |
Notes | 193 |
Works Cited | 231 |
247 | |
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acknowledge action Actors anxiety audience Bamber Gascoigne beginning belief Bianca Bob Hoskins Booth Brabantio Bradley Bradley's Cambridge University Press Carlisle Cassio century character claim Coleridge Coleridge's commentary contemporary context critical cultural Cyprus demona Desdemona desire devil dramatic earlier echoes Edwin Booth effect Emilia emphasis Empson essay evoke Fechter feel gender Hamlet Hankey Honigmann Iago Iago's idea identity imagination interest interpretive traditions King Lear lago Lear Leavis literary London marriage meaning Michael Neill modern Moor murder nature Neill Newman nineteenth nineteenth-century nonetheless norms original Othello Othello and Desdemona passage Patrick Stewart performance perhaps pharmakos play play's production protagonist question quoted racial Ralph Crane remarks Renaissance response Ridley Roderigo role Rymer says seems sense sexual Shakespeare Shakespearean Tragedy soliloquy speak speech Sprague stage suggests Temptation Scene textual Theatre theatrical thing tion tragic Tynan villain whore women words