The Language of Comics: Word and ImageRobin Varnum, Christina T. Gibbons Univ. Press of Mississippi, 2001 - Всего страниц: 222 |
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Стр. x
... words and images shape our perceptions , causing us to see some things and over- look others . Written words , like images , can be classified as graphic signs . Both texts and images are decoded visually and , for X INTRODUCTION.
... words and images shape our perceptions , causing us to see some things and over- look others . Written words , like images , can be classified as graphic signs . Both texts and images are decoded visually and , for X INTRODUCTION.
Стр. xi
... signs , no combination of the two could be made without compromising the integrity of both . In his inflam- matory The Seduction of the Innocent , psychologist Fredric Wertham claimed that because they provided children with ready ...
... signs , no combination of the two could be made without compromising the integrity of both . In his inflam- matory The Seduction of the Innocent , psychologist Fredric Wertham claimed that because they provided children with ready ...
Стр. xv
... signs and looks at how comics are read . Khordoc and Kannenberg discuss the ways particular artists use and extend the represen- tational code comics employs . Khordoc follows semiotician C. S. Peirce in distinguishing between icons and ...
... signs and looks at how comics are read . Khordoc and Kannenberg discuss the ways particular artists use and extend the represen- tational code comics employs . Khordoc follows semiotician C. S. Peirce in distinguishing between icons and ...
Стр. xvi
... signs , trademarks , icons , and other symbols to anchor their narratives . Taylor employs classical rhetoric in order to show that in the case of Wile E. Coyote and the Road Runner , images are more persuasive than words . Despite the ...
... signs , trademarks , icons , and other symbols to anchor their narratives . Taylor employs classical rhetoric in order to show that in the case of Wile E. Coyote and the Road Runner , images are more persuasive than words . Despite the ...
Стр. 14
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Содержание
3 | |
Pictorial Principles in the Work of Milt Gross Hendrik Dorgathen Eric Drooker and Peter Kuper | 19 |
Coyotes and Visual Ethos | 40 |
The Yellow Kid and the Comic Page | 60 |
The Emergence of the Modern Magazine Gag Cartoon Reveals the Vital Blend | 75 |
The Disjunction of Word and Image in the Comics of Andrzej Mleczko Ben Katchor R Crumb and Art Spiegelman | 97 |
How a Comics Panel Can Speak Shakespeare | 123 |
A New Theory of Graphic Enunciation | 145 |
Visual Sound Effects in Asterix | 156 |
Text Image and Visual Narrative Strategies | 174 |
Notes | 199 |
Works Cited | 205 |
Contributors | 213 |
Index | 215 |
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The Language of Comics: Word and Image: Word and Image Robin Varnum,Christina T. Gibbons Ограниченный просмотр - 2001 |
Часто встречающиеся слова и выражения
Acme Novelty Library action animals appears Arno Art Spiegelman artist Asterix and Cleopatra bande dessinée Beronä caption cartoonists character Chat Noir Chris Ware color comic art comic books comic strip complex Coyote Coyote's create Crumb culture depicted disjunctive Dorgathen drawing Drooker Eisner elements Elkins emotional Eric Drooker ethos example Figure film gag cartoon genre graphiateur graphiation graphic Gross Hamlet Hergé hero humor magazines icons idea illustrated images and words Kannenberg Katchor Kunzle language lexias look Marion Masereel McCloud meaning medium Milt Gross Mleczko narration narrative newspaper objects Outcault panel Peter Kuper pictorial Pierrot Quimby reader reading Road Runner Road Runner Show Ross semiotics sense silent single-speaker soliloquy sound Space Dog speaking speech balloons Spiegelman Steinlen story style Sunday symbols textual tion toons verbal visual Ware's Wile Wile E Willette woodcut word and image word-image wordless comics words and pictures Yellow Kid York Yorker