The Language of Comics: Word and ImageRobin Varnum, Christina T. Gibbons Univ. Press of Mississippi, 2001 - Всего страниц: 222 |
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Стр. x
... examples , making the lis- tener see and not merely hear the orator's point . ( 49-50 ) The similarities between words and images have long been noted . Both are human artifacts . Both are used to represent reality to the understanding ...
... examples , making the lis- tener see and not merely hear the orator's point . ( 49-50 ) The similarities between words and images have long been noted . Both are human artifacts . Both are used to represent reality to the understanding ...
Стр. xii
... example , or against Pruneface in Dick Tracy because of the gro- tesque way these figures are drawn . Both pictures and words , as witness the wartime caricatures of the " Japs " and " Krauts " in many action strips of the early 1940s ...
... example , or against Pruneface in Dick Tracy because of the gro- tesque way these figures are drawn . Both pictures and words , as witness the wartime caricatures of the " Japs " and " Krauts " in many action strips of the early 1940s ...
Стр. xv
... examples of verbal and visual cross - dressing , where pictures do the work of words — telling stories , for example , or functioning as metaphors or puns — or where words operate as graphic elements within a comics frame . Harvey ...
... examples of verbal and visual cross - dressing , where pictures do the work of words — telling stories , for example , or functioning as metaphors or puns — or where words operate as graphic elements within a comics frame . Harvey ...
Стр. xvii
... examples start with the text as a given ; the images are both illustration and interpretation . She demonstrates , however , that page design and the arrangement of word bal- loons can bring word and image together . When the ...
... examples start with the text as a given ; the images are both illustration and interpretation . She demonstrates , however , that page design and the arrangement of word bal- loons can bring word and image together . When the ...
Стр. 5
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Содержание
3 | |
Pictorial Principles in the Work of Milt Gross Hendrik Dorgathen Eric Drooker and Peter Kuper | 19 |
Coyotes and Visual Ethos | 40 |
The Yellow Kid and the Comic Page | 60 |
The Emergence of the Modern Magazine Gag Cartoon Reveals the Vital Blend | 75 |
The Disjunction of Word and Image in the Comics of Andrzej Mleczko Ben Katchor R Crumb and Art Spiegelman | 97 |
How a Comics Panel Can Speak Shakespeare | 123 |
A New Theory of Graphic Enunciation | 145 |
Visual Sound Effects in Asterix | 156 |
Text Image and Visual Narrative Strategies | 174 |
Notes | 199 |
Works Cited | 205 |
Contributors | 213 |
Index | 215 |
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The Language of Comics: Word and Image: Word and Image Robin Varnum,Christina T. Gibbons Ограниченный просмотр - 2001 |
Часто встречающиеся слова и выражения
Acme Novelty Library action animals appears Arno Art Spiegelman artist Asterix and Cleopatra bande dessinée Beronä caption cartoonists character Chat Noir Chris Ware color comic art comic books comic strip complex Coyote Coyote's create Crumb culture depicted disjunctive Dorgathen drawing Drooker Eisner elements Elkins emotional Eric Drooker ethos example Figure film gag cartoon genre graphiateur graphiation graphic Gross Hamlet Hergé hero humor magazines icons idea illustrated images and words Kannenberg Katchor Kunzle language lexias look Marion Masereel McCloud meaning medium Milt Gross Mleczko narration narrative newspaper objects Outcault panel Peter Kuper pictorial Pierrot Quimby reader reading Road Runner Road Runner Show Ross semiotics sense silent single-speaker soliloquy sound Space Dog speaking speech balloons Spiegelman Steinlen story style Sunday symbols textual tion toons verbal visual Ware's Wile Wile E Willette woodcut word and image word-image wordless comics words and pictures Yellow Kid York Yorker