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the tools needed for making the hole in sides, with prints of the virgin and saints, the other cell. The prisoner calmly re- etc. And these he was to stick up all plied that he himself (the goaler) had about the sides of his cell, as for purposes furnished them to him. Then in answer of devotion; and behind one of these, to his adjurations and entreaties for explanation as to what the prisoner meant, and how he (Lorenzo) had supplied him with tools, he replied gravely that he would tell him, and would tell him with perfect truth; but that he would only do so in the presence of the Secretary!

constantly replaced so as to conceal the work, a hole was to be made by the monk in the side of his cell. There remained, however, the great difficulty of conveying the invaluable sharpened bolt to the monk, without which he had no means of even attempting the work. At last there seemed The unhappy goaler was checkmated, to be an opportunity of attempting this. cowed, and beaten. He ended by implor- It was a chance!-one involving treing his prisoner to say no word more upon mendous risk! But then every portion of the subject, and to remember that he was the scheme necessarily involved risks a poor man, who had a wife and family de- which offered only a small chance of ultipending upon him, and who would as-mate success; and if the thing was to be suredly be ruined by the discovery of attempted at all, it was useless to recoil what the prisoner had done, despite his before such chances. vigilance.

Thenceforward the relations between prisoner and goaler were more amicable. And the unlucky man began a course of indulgences, which eventually led to the escape of his captive.

Casanova begged for books to read. He had read all those that had been allowed to him. The goaler said that there was a prisoner in a neighbouring cell who had several books, which no doubt he would be willing to lend to his fellowprisoner.

The captive in the neighbouring cell turned out to be a monk, imprisoned for licentious conduct. He made no difficulty in lending his books. Casanova lent his in return. And thus a system of correspondence was readily established between

them.

Ever since Casanova's removal into his new cell, and the discovery of the hole in the floor of the old one, the goaler or his assistants had every morning sounded every part of the floor and walls of his prison. But he observed that they never thought of sounding the ceiling! He at once determined that it must be by that way alone that he could escape.

But how was it possible for him to get at the ceiling? or, even if he could do so, how could the long labour of making a hole through the solid woodwork of it be accomplished either in one day or without immediately attracting the attention of his goaler?

The scheme he hit upon was this. In the first place he communicated all his plans to his neighbouring prisoner the monk, and found him willing to join in an attempt at escape. Then he instructed him to cause the goaler to buy for him several of the ordinary devotional broad

One of the volumes lent by the monk to Casanova was a large folio, bound in parchment loose at the back, in the fashion in which old books, especially Italian books, are often seen. Casanova tried to conceal the bolt inside the binding of the back of this book. The weapon was too long! It protruded nearly an inch at either end! Nevertheless his powers of invention were not yet finally conquered. Some festival occurred, on which a certain sort of cake, or pudding, of maccaroni, made with much oil, was usually eaten. Casanova told the gaoler that he wished, in return for the kindness received from his neighbour prisoner, to send him and the companion in his cell (for there was another prisoner in the monk's cell, a certain Conte Asquin, an old and immensely fat man,) a dish of maccaroni for the festival, prepared by his own hands. He furnished the money necessary for buying the different articles, and then saying that he meant to do the thing as handsomely as possible, begged the gaoler to bring him the largest dish he could get. The manner was, it seems, to prepare maccaroni after this fashion in one of those very large, flat, shallow copper dishes, which are still so frequently seen in Italy. All the preparations were accomplished according to the prisoner's wishes. He prepared his plat, taking especial care that the dish should be filled with oil to the very brim, so that it could only be carried with great care, and in the most perfect equilibrium. Then he placed it on the folio with the precious bolt in it, sticking out at either end, but not so far as not to be hidden by the dish. Then, when the gaoler came, he told him to take the book and the dish together into the neighbouring cell. He put them himself into the

man's hands, laughingly begging him to take the utmost care not to spill the oil. Of course the monk had been informed of the whole scheme, and knew with what precautions he was to receive the present. All went well; and the unconscious gaoler thus himself carried the weapon which was to open a way for the escape of the captives!

The plan of sticking up pictures of saints on the sides of the monk's cell, so as to hide his operations on them with the bolt turned into a spike, also succeeded perfectly. In a few days he had made a hole in the wooden wall of the cell, and was able to get out of it, and on to the roof of that in which Casanova was confined: on which he began his operations, taking extreme care, of course, to leave a thin skin of wood untouched till the moment of evasion should have arrived.

This was eventually fixed for the 31st of October at mid-day. The morning visit of the gaoler and his assistants would be then over, and (unless in consequence of some unusual occurrence) there would be no fear of any further visit till the next morning. At mid-day precisely he heard the monk on the ceiling above him, and in a very few minutes more the thin crust of wood, which alone remained, was broken through, and the monk descended into Casanova's cell.

The next difficulty to be overcome arose from the fear and misgivings of his accomplice, who, despite the success of their enterprise up to that point, began to feel sure that they never should succeed in getting absolutely free out of the Palace. His lamentations, predictions of failure, and reproaches when he found that the enter prise was a more arduous one than he had anticipated, had to be listened to, not without infinite disgust, by the bolder spirit, on whom was now cast all the difficulty of the undertaking. And these difficulties, already overcome, were as nothing to those now before them.

fugitives would have been seen on the roof; and it was, therefore, absolutely essential to wait till the moon had gone down. But in the meantime a thick fog arose, which, if it had the advantage of increasing the darkness, brought with it the very serious disadvantage of making the leads so slippery that it was with the most extreme difficulty that they were able to crawl on hands and knees up the steep ascent. Of course a slip would have been immediately fatal. By dint of exceeding exertion, Casanova mainly dragging up the monk as well as himself, they succeeded in seating themselves astride the ridge.

The next step was to find some means of fixing the end of the rope by which they were to let themselves down into the piazza from the roof. This rope had been prepared by the assiduous labour of the hours between the last morning visit of the goaler and the time of escape; and was composed of all their bedding torn into shreds, twisted and carefully knotted. They had enough of it to reach from the roof to the ground; but a long and scrupulous examination of the entire roof served only to show unmistakably that there was no possibility of fixing the rope to any object that could be trusted to hold it.

Then truly the prospect began to look very black indeed! To give up all hope of escape and return to their cells was by no means the worst before them. It would have been absolutely impossible to conceal the traces of their outbreak, and condemnation to the "Pozzi" for life would have been the sure consequence. Rather than that, Casanova was thoroughly resolved to precipitate himself into the Canal that runs between the Ducal Palace and the prison on the other side of the "Bridge of Sighs.”

At last in the course of his examination of every part of the roof, he observed a small garret window in that slope of the roof which looked towards the Canal. To descend the slope of the roof, though not less dangerous, was far less difficult

The first step, however, after they had got on to the top of the cell, through the hole which the monk had made, presented no great difficulty. This was to rip open a sufficient portion of the leaden roofing The "Pozzi,"-literally "wells," are a range of the Palace to allow them to pass out on of prisons, yet more terrible than the " Piombi, to the roof; and by the help of the sharp- Palace, without light, and accessible only by a dark constructed among the foundations of the Ducal ened bolt this was readily accomplished. stair leading from the first floor of the Palace, and To reach the ridge of the roof was a mat- by a little postern on the level of the Canal, underneath the "Bridge of Sighs," by which the bodies ter of much greater difficulty. It had been of executed criminals, and of those who died there, necessary to wait till midnight before get-venice, the assemblies of its senators and stateswere removed. Thus, the gorgeous public life of ting on to the roof, because it was a bright men, the stately ceremonial of its receptions, were moonlight night: all Venice would be all transacted with despair and wailing over their walking on the Square of St. Mark; the heads, and despair and wailing under their feet!

than to climb up it. Casanova let him- window, and to pull it onwards till the self slide down, trusting to his power of end struck against the roof of the window directing himself forwards and being in the inside. In this position it is easy to pulled up by the little roof of the win- understand that no amount of force could dow. He succeeded in this. Then lying make it enter further, save by raising the along the ridge of this little roof on his other end, which projected far beyond the stomach, with his legs extended up the extreme edge of the roof of the Palace. slope of the main roof above it, he pro- There was nothing for it, therefore, but to jected his head far enough over the edge attempt this. Casanova let himself slip of the roof of the window to see that it down on his stomach till the toes of his was a small window of little panes set in feet rested against the outside of the marlead, and protected by an iron grating. ble gutter which forms the cornice of the Of course the window mattered little. roof, the toes only, for the gutter 'was But the iron grating? too shallow to admit of more. In this position he strove to raise the ladder, having, as will be understood, a strong leverage against him, inasmuch as the part projecting beyond the fulcrum formed by his hand was much longer than that between his hand and the other end inside the window.

With infinite labour, at the most frightful risk of being precipitated into the Canal below, and with hands lacerated and bleeding, Casanova, after a quarter of an hour's work, succeeded in wrenching the grating from the wall with his trusty sharpened bolt. Then he returned to the spot on the main ridge of the roof where While using his utmost effort to accomhe had left his companion, who received plish this, he raised himself on his knees him with a torrent of imprecations for in order to exert more strength; his toes having been so long absent. Neverthe- slipped, and he was launched over the less, he continued to labour for his escape edge of the roof, till, by one of those inas well as for his own. Having succeeded stinctive and despairing efforts of which a in getting the monk on the roof of the man is capable only in similar desperate now open little window, it was not very circumstances, he found himself arrested difficult for one of the two to be let down in his downward course by the clinging through the window by means of the cord of his elbows to the cavity of the gutter. by the other. But how was the second to "A horrible moment," he says, writing follow? The monk absolutely refused to many years afterwards when an old man, help Casanova to descend. The latter," at which I still shudder, and which it is, therefore, tied the cord round the body of the former, and succeeded in letting him down till he reached a floor. They found that the distance from the window to the floor was at least fifty feet. And now Casanova was alone on the roof, utterly at a loss to find the means of rejoining his companion. At last, after much search, he discovered on a remote part of the roof a ladder left there by workmen. With considerable labour and difficulty he succeeded in dragging it to the little ridge roof over the small garret window. But then came the question how, unaided by any other hand, he was to get one end of the long ladder in at the window. Below the window, it is to be understood, there was nothing save a few yards of very steeply sloping leads, a narrow stone cornice gutter, and then-the sheer fall of some two hundred feet into the Canal below! The extreme difficulty and peril of the operation to be performed may be readily conceived!

perhaps, impossible to imagine in all its horror. The natural instinct of preservation caused me, almost without knowing what I was doing, to exert my utmost strength to cling on, and -I am almost tempted to say miraculously—I succeeded."

Lacerated, bleeding, trembling, streaming with perspiration at every pore, he did succeed in regaining his position on the roof. The effort, which had so nearly cost him his life, had pushed the ladder three or four feet further into the window; and the remainder of the task of rejoining the monk on the floor of the room into which the window opened was comparatively easy.

As also was the remainder of his escape from the Palace. There were a few doors to be broken open, but the trusty weapon which had already stood him in such good stead, soon disposed of them. And in that vast building at that hour of the night, and especially just at that time of the year, when it was the habit of VenePerched on the roof of the garret win-tian officers of state to take a few days' dow, however, he did contrive, by the aid holiday at their estates on the mainland, of his cord of bedclothes, to get one end there was little danger of any noise being of the ladder into the aperture of the heard.

This, after a variety of adventures and hair-breadth escapes, which cannot here be related at length, he succeeded in accomplishing.

After the breaking, more or less difficult, | dominions of Venice from those of the of a few doors, the fugitives found them- Bishop of Trent. selves at the head of the great staircase, so well known to travellers, which leads from the great corridor, running round the interior of the court of the Palace on the first floor. Thence the way was perfectly open to them to the head of the yet better known "giant" stairs, and at the foot of them to the main door of the Palace. This was shut and locked, because it was not yet the hour at which it was opened in the morning. It stands always open all day, but Casanova judged that it was wisest not to wait for that hour of the morning. Having first repaired as well as he could the mischief done both to his flesh and his clothes by the various incidents of his escape which it was not so easy to do, for both clothes and limbs were torn to bits and covered with blood, but he had still the bundle containing his wardrobe with him -he showed himself at one of the grated windows looking from the court on to the piazza.

Before leaving Mestre he found himself face to face with a "sbirro," or officer in the employment of the Inquisition, who knew him personally and knew that he aught then to have been in the "piombi " of the Ducal Palace. Fortunately the spot was solitary, and he escaped by menacing the life of the officer. This danger, as well as many others, was brought upon him by the selfishness, cowardice, and imbecility of the monk his companion, whom nevertheless he would not desert (much to his honour, if his own account is to be credited) till he saw him safe and provided for in Germany. One night he passed in the house of a chief officer of the police of the Inquisition, who was absent from home scouring the country in search of him, and to whose wife he represented that he was a friend of her husband.

At Munich he found friends who took him with them to Paris, where, as ever, he once more fell on his legs, and began a new course of very extraordinary adventures, of which by no means the least curious was that which made him, about eighteen years subsequently, a "confidant "

i.e. spy and informer of the Tribunal, whose means of action he stigmatizes as infamous, when they were exerted against himself.

Then some early passer-by saw him, and went to tell the porter that there was a man locked up in the court. Casanova says that, dressed as he was, he looked just like a man who had left a ball and passed the rest of the night in debauchery and disorder. The monk was dressed like a peasant. Placing himself close to the door, with the monk behind him, and grasping his sharpened bolt in his hand, thoroughly determined to strike the porter down with it if he should The special business for the sake of make any resistance to his exit, he which he was in the first instance emawaited the opening of the door; and ployed was the difficult and delicate one the instant it was opened glided through of preventing certain Armenian monks, it on to the open piazza. The porter who had separated themselves from the seemed too much struck with amazement well-known Armenian convent existing on to do aught but stand agape and stare, one of the islands of the lagoon under the so there was no need for violence; and Casanova and his companion, passing quickly to the "riva" of the "piazzetta," had no difficulty in finding a couple of gondoliers to take them to Mestre.

But the escaped prisoner knew too well the ways of the power against which he was trying the resources of his courage and wit, to imagine for an instant that he was really free till he had placed himself on the further side of the frontier of the territory of the Republic; and the nearest point at which this could be accomplished was the boundary separating the

protection of Venice, from obtaining an establishment at Trieste. This he accomplished to the satisfaction of his employers; and his communications with the terrible Tribunal on the subject are sufficiently curious to be worth condensing from the highly interesting volumes of records which Signor Bazzoni has made known to historical students.

But this paper has already run to too great a length for it to be possible to attempt doing so on the present occasion.

From The Athenæum. M. AUBER.

LAST Monday we received from Paris the news of the death of Auber, who died in his house in the Rue St. Georges on the 13th inst., whilst the Communists were pulling down the mansion of his near neighbour and intimate friend, M. Thiers. It is affirmed that the venerable musician, who had not quitted his residence during the siege of Paris by the Germans, and who never lost his spirits during that eventful period, was so saddened by the civil war that he ceased to care for life, and at last refused to take ordinary nour ishment, preferring to leave a world by the distractions of which he was sickened. He had even lost his affection for his beloved Erard, an ancient pianoforte of 4 1-2 octaves on which he had for nearly threescore years struck the chords which have vibrated through the world. To follow minutely the career of the acknowledged chief of the French Opera school, of the composer who was the real representative of National Art at the Salle Favart, to give any analysis of some fifty operas, which he composed between 1813 and 1868, to canvass his acts as Principal of the "Conservatoire," - to describe the fascinating manners of this polished Parisian of the old school, -to narrate the innumerable anecdotes of his witty sayings, and to particularize his numerous acts of kindness and benevolence during his long career, would be an impossible task within the limits of an obituary notice in the Athenæum.

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M. Auber was born at Caen, on the 29th of January, 1784; he was the son of a printseller, and was intended for commercial pursuits. He was for a short time a clerk in a merchant's counting-house in London; but he had studied the pianoforte as an amateur, and mercantile matters were not to his taste. He returned to his beloved Paris, never more to leave it. His first essays in composition were Romances for the voice. He next composed for a violoncellist, M. Lamare, solos for the instrument; and this experience led to a violin-concerto, which was played at the Conservatoire Concerts by M. Mazas, and which has been heard in London, executed by M. Sainton. His early trial of opera was for amateurs; the piece first launched by him was "Le Séjour Militaire," in 1813, written for the Salle Favart; and he did nothing again until 1819, when ill-success attended his "Testament et les BilletsDoux." Auber was unlucky in his first librettist, M. de Planard. When he coa

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lesced with Scribe and Mélesville, in 1823, in the three-act opera, "Leicester," the tide turned in his favour. He was still more fortunate with "La Neige," and his triumph with the "Maçon," in 1825, was most pronounced. Auber, after working with Scribe and Germain Delavigne, entered into an alliance with the former; and from the date of this union the names of Scribe and Auber became celebrated throughout Europe. A brief summary of their joint doings will convey a notion of the popularity of the majority of their productions and of the failure of some out of the long list. For the Grand Opéra they produced "La Muette de Portici," 1828; "Le Dieu et la Bajadère," 1830; "Le Philtre," 1831; "Le Serment," 1832; Gustave," 1833; "Le Lac des Fées," 1839; "L'Enfant Prodigue," 1850; "Zerline," 1851. For the Opera Comique, "Fiorella," 1826; "La Fiancée,” 1829; "Fra Diavolo," 1830; "Lestocq," 1834; "Le Cheval de Bronze," 1835; "Actéon," "Les Chaperons Blancs," and L'Ambassadrice," 1836; "Le Domino Noir," 1837; "Zanetta," 1840; "Les Diamants de la Couronne," 1841; "La Part du Diable," 1843; "La Sirène," 1844; "La Barcarolle," 1845; "Haydée," 1847; "Marco Spada," 1850; "Manon Lescaut," 1856; "La Circassienne," 1861; "La Fiancée du Roi de Garbe," 1864. Scribe in the few abovecited works was aided by M. de SaintGeorges, M. Mélesville, M. Germain Delavigne, and M. Mazères. Auber's last opera, and a charming work it is, as fresh and melodious as the efforts of his earlier years, was produced at the Opéra Comique, on the 15th of February, 1868. It was entitled Le Premier Jour de Bonheur," and the libretto was by MM. D'Ennery and Cormon. The enthusiasm of the audience for the patriarch will not easily be forgotten by the amateurs who were present on that interesting occasion. Auber has composed music for two ballets, founded on his operas "Marco Spada" and "Le Cheval de Bronze." The last-mentioned work, it must be remarked, was the foundation of the Offenbach school, which Rossini was wont to imitate so humorously with one finger on the pianoforte. Auber worked once, in 1831, in the opera of "La Marquise de Brinvilliers," with Cherubini, Carafa, Batton, Berton, Blangini, Boieldieu, Paer, and Hérold, all of whom he survived. The qualities of grace, elegance, spontaneity, originality, have been cheerfully conceded to Auber by all critics, however adverse; but power and passion and grandeur were attributes which it is denied that

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