An Essential Discipline: An Introduction to Literary Criticism |
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Стр. 145
Its most fundamental theme is the interrelation between decay and fertility which is present in so much of the poetry . The Egyptian court is decadent and yet ripe ; the lovers ' passion consumes them , but renews itself – it glows and ...
Its most fundamental theme is the interrelation between decay and fertility which is present in so much of the poetry . The Egyptian court is decadent and yet ripe ; the lovers ' passion consumes them , but renews itself – it glows and ...
Стр. 216
the theme is the first thing to ask of a novel when it is read – just as it is of a poem . It isn't always apparent in the title - not in Emma , for example . For while Emma is certainly concerned with the heroine , the theme may fairly ...
the theme is the first thing to ask of a novel when it is read – just as it is of a poem . It isn't always apparent in the title - not in Emma , for example . For while Emma is certainly concerned with the heroine , the theme may fairly ...
Стр. 223
Each character bears on another ; each is relevant to others , and the selection of details is such that we learn the enough ( and no more ) that is needed to embody the central theme in all its depth and vividness .
Each character bears on another ; each is relevant to others , and the selection of details is such that we learn the enough ( and no more ) that is needed to embody the central theme in all its depth and vividness .
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THE FUNCTION OF CRITICISM | 35 |
AN APPROACH TO DRAMA I 20 | 120 |
S AN APPROACH TO THE NOVEL | 182 |
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An Essential Discipline: An Introduction to Literary Criticism Fred Inglis Недоступно для просмотра - 1968 |
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action Antony attitudes audience beauty become begin belief better called century changes characters civilization comes complete course criticism culture deal death describes drama effect Elizabethan English essential example experience expression fact feeling felt finally force give greatest hard human ideas important individual intelligence Jane Jonson judge judgement kind language less literary literature living look manner matter mean mind moral move nature never novel novelist once ourselves particular passion past perhaps play poem poet poetic poetry political possible present prose reader reading reason religious remark response rhythms seems sense shape social society speak speech spirit story sure theme things thought tion tone tradition turn understanding values voice whole writing