An Essential Discipline: An Introduction to Literary Criticism |
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Стр. 67
Within a certain kind of civilization the detail of social manner expresses a whole scheme of human values . Convictions about social stability , spiritual humility , elegance , kindliness and splendour were implicit in the good manners ...
Within a certain kind of civilization the detail of social manner expresses a whole scheme of human values . Convictions about social stability , spiritual humility , elegance , kindliness and splendour were implicit in the good manners ...
Стр. 208
Thus the novelist is feeling the movement of money on his fingertips as he or she writes of Emma Wodehouse's social snobbery , Pip's ' Great Expectations ' , Bulstrode's disgrace and Lydgate's failure in Middlemarch , Paul Morel's ...
Thus the novelist is feeling the movement of money on his fingertips as he or she writes of Emma Wodehouse's social snobbery , Pip's ' Great Expectations ' , Bulstrode's disgrace and Lydgate's failure in Middlemarch , Paul Morel's ...
Стр. 240
This is the first duty of the novelist , and neither technical innovation nor social crusades have much to do with it . Ian Watt's description of the English tradition could be extended to take in all the novels I have mentioned .
This is the first duty of the novelist , and neither technical innovation nor social crusades have much to do with it . Ian Watt's description of the English tradition could be extended to take in all the novels I have mentioned .
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THE FUNCTION OF CRITICISM | 35 |
AN APPROACH TO DRAMA I 20 | 120 |
S AN APPROACH TO THE NOVEL | 182 |
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An Essential Discipline: An Introduction to Literary Criticism Fred Inglis Недоступно для просмотра - 1968 |
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action Antony attitudes audience beauty become begin belief better called century changes characters civilization comes complete course criticism culture deal death describes drama effect Elizabethan English essential example experience expression fact feeling felt finally force give greatest hard human ideas important individual intelligence Jane Jonson judge judgement kind language less literary literature living look manner matter mean mind moral move nature never novel novelist once ourselves particular passion past perhaps play poem poet poetic poetry political possible present prose reader reading reason religious remark response rhythms seems sense shape social society speak speech spirit story sure theme things thought tion tone tradition turn understanding values voice whole writing