An Essential Discipline: An Introduction to Literary Criticism |
Результаты поиска по книге
Результаты 1 – 3 из 63
Стр. 73
delicacy , so that its rhythms are as supple as its vocabulary . For it is impossible to separate the meanings of language from its rhythms . Rhythm is the distinguishing mark of poetry - rhythm and metre . Metre is the regular measure ...
delicacy , so that its rhythms are as supple as its vocabulary . For it is impossible to separate the meanings of language from its rhythms . Rhythm is the distinguishing mark of poetry - rhythm and metre . Metre is the regular measure ...
Стр. 81
the incredulity of the first two lines is hardened by their brevity and strong rhythms , and then the feeling is collected and deepened by the power of the long last line , with its heavy stresses seeming to press on every word .
the incredulity of the first two lines is hardened by their brevity and strong rhythms , and then the feeling is collected and deepened by the power of the long last line , with its heavy stresses seeming to press on every word .
Стр. 86
The sumptuous rhythms stride on , supported by the internal rhymes of line three ( ' day ' / ' away ' ) , and they will take us with them if we permit it . Their sonorous motion will sweep the unwary away , but the moment we are alert ...
The sumptuous rhythms stride on , supported by the internal rhymes of line three ( ' day ' / ' away ' ) , and they will take us with them if we permit it . Their sonorous motion will sweep the unwary away , but the moment we are alert ...
Отзывы - Написать отзыв
Не удалось найти ни одного отзыва.
Содержание
THE FUNCTION OF CRITICISM | 35 |
AN APPROACH TO DRAMA I 20 | 120 |
S AN APPROACH TO THE NOVEL | 182 |
Авторские права | |
Не показаны другие разделы: 1
Другие издания - Просмотреть все
An Essential Discipline: An Introduction to Literary Criticism Fred Inglis Недоступно для просмотра - 1968 |
Часто встречающиеся слова и выражения
action Antony attitudes audience beauty become begin belief better called century changes characters civilization comes complete course criticism culture deal death describes drama effect Elizabethan English essential example experience expression fact feeling felt finally force give greatest hard human ideas important individual intelligence Jane Jonson judge judgement kind language less literary literature living look manner matter mean mind moral move nature never novel novelist once ourselves particular passion past perhaps play poem poet poetic poetry political possible present prose reader reading reason religious remark response rhythms seems sense shape social society speak speech spirit story sure theme things thought tion tone tradition turn understanding values voice whole writing