An Essential Discipline: An Introduction to Literary Criticism |
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Стр. 51
Twentieth - century agnosticism , therefore , would be unwise to regard the great religious poets as discredited . It is tempting to do so ; it is much harder now for an intelligent man to be a Christian .
Twentieth - century agnosticism , therefore , would be unwise to regard the great religious poets as discredited . It is tempting to do so ; it is much harder now for an intelligent man to be a Christian .
Стр. 53
Most important of these were his gods , and therefore primitive dances are intimately related to religious ritual , and until comparatively recently ( the Renaissance , say ) all dances were intrinsically religious .
Most important of these were his gods , and therefore primitive dances are intimately related to religious ritual , and until comparatively recently ( the Renaissance , say ) all dances were intrinsically religious .
Стр. 121
Sacrifice and cannibalism hover behind many religions – they are clear on the surface of Christianity ... It has been important in many religious contexts that one person shall be seen to bear terrible punishment in order to relieve his ...
Sacrifice and cannibalism hover behind many religions – they are clear on the surface of Christianity ... It has been important in many religious contexts that one person shall be seen to bear terrible punishment in order to relieve his ...
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THE FUNCTION OF CRITICISM | 35 |
AN APPROACH TO DRAMA I 20 | 120 |
S AN APPROACH TO THE NOVEL | 182 |
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An Essential Discipline: An Introduction to Literary Criticism Fred Inglis Недоступно для просмотра - 1968 |
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action Antony attitudes audience beauty become begin belief better called century changes characters civilization comes complete course criticism culture deal death describes drama effect Elizabethan English essential example experience expression fact feeling felt finally force give greatest hard human ideas important individual intelligence Jane Jonson judge judgement kind language less literary literature living look manner matter mean mind moral move nature never novel novelist once ourselves particular passion past perhaps play poem poet poetic poetry political possible present prose reader reading reason religious remark response rhythms seems sense shape social society speak speech spirit story sure theme things thought tion tone tradition turn understanding values voice whole writing