An Essential Discipline: An Introduction to Literary Criticism |
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Стр. 22
Nor do I wish to dismiss the present age as either doomed or decadent ; it is the only life we get , on this earth at any rate , and there is nothing to be gained by relinquishing it either violently or with resignation .
Nor do I wish to dismiss the present age as either doomed or decadent ; it is the only life we get , on this earth at any rate , and there is nothing to be gained by relinquishing it either violently or with resignation .
Стр. 132
This subtlety is present in the speech . Any attempt to speak the lines as though they were impromptu , just thought up as part of the run of conversation , will wreck the poetry . Yet that , mostly , is how the present - day actor is ...
This subtlety is present in the speech . Any attempt to speak the lines as though they were impromptu , just thought up as part of the run of conversation , will wreck the poetry . Yet that , mostly , is how the present - day actor is ...
Стр. 230
Miss Havisham tried to stop time , to hold it in the present , and so by a queer paradox she becomes incapable of living in the present . She tried to fix her life at one moment of intense misery , and every act is an attempt to ...
Miss Havisham tried to stop time , to hold it in the present , and so by a queer paradox she becomes incapable of living in the present . She tried to fix her life at one moment of intense misery , and every act is an attempt to ...
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THE FUNCTION OF CRITICISM | 35 |
AN APPROACH TO DRAMA I 20 | 120 |
S AN APPROACH TO THE NOVEL | 182 |
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An Essential Discipline: An Introduction to Literary Criticism Fred Inglis Недоступно для просмотра - 1968 |
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action Antony attitudes audience beauty become begin belief better called century changes characters civilization comes complete course criticism culture deal death describes drama effect Elizabethan English essential example experience expression fact feeling felt finally force give greatest hard human ideas important individual intelligence Jane Jonson judge judgement kind language less literary literature living look manner matter mean mind moral move nature never novel novelist once ourselves particular passion past perhaps play poem poet poetic poetry political possible present prose reader reading reason religious remark response rhythms seems sense shape social society speak speech spirit story sure theme things thought tion tone tradition turn understanding values voice whole writing