An Essential Discipline: An Introduction to Literary Criticism |
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This passion is the scholar's heritage , The imposition of a busy age , The passion to condense from book to book Unbroken wisdom in a single look , Though we know well that when this fix the head , The mind's immortal , but the man is ...
This passion is the scholar's heritage , The imposition of a busy age , The passion to condense from book to book Unbroken wisdom in a single look , Though we know well that when this fix the head , The mind's immortal , but the man is ...
Стр. 82
The romantic's anger thrusts us on to action ; it is a youthful passion . Herbert's poem is incomparably more poised and mature , and therefore more beautiful . Shelley wasn't interested in poise , but in trembling anger ; consequently ...
The romantic's anger thrusts us on to action ; it is a youthful passion . Herbert's poem is incomparably more poised and mature , and therefore more beautiful . Shelley wasn't interested in poise , but in trembling anger ; consequently ...
Стр. 152
His passion stems from intense desire , but it is significant that desire expresses itself in terms of gold and jewels : See a carbuncle May put out both the eyes of our St Mark ... ( III , 6. 193-4 ) And when he rises to his height of ...
His passion stems from intense desire , but it is significant that desire expresses itself in terms of gold and jewels : See a carbuncle May put out both the eyes of our St Mark ... ( III , 6. 193-4 ) And when he rises to his height of ...
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THE FUNCTION OF CRITICISM | 35 |
AN APPROACH TO DRAMA I 20 | 120 |
S AN APPROACH TO THE NOVEL | 182 |
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An Essential Discipline: An Introduction to Literary Criticism Fred Inglis Недоступно для просмотра - 1968 |
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action Antony attitudes audience beauty become begin belief better called century changes characters civilization comes complete course criticism culture deal death describes drama effect Elizabethan English essential example experience expression fact feeling felt finally force give greatest hard human ideas important individual intelligence Jane Jonson judge judgement kind language less literary literature living look manner matter mean mind moral move nature never novel novelist once ourselves particular passion past perhaps play poem poet poetic poetry political possible present prose reader reading reason religious remark response rhythms seems sense shape social society speak speech spirit story sure theme things thought tion tone tradition turn understanding values voice whole writing