An Essential Discipline: An Introduction to Literary Criticism |
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Стр. 16
observations of irreducible facts , recorded them , and induced , from particular examples , general laws . Induction is the familiar process by which we infer from particular events something about the recurrence of such events in past ...
observations of irreducible facts , recorded them , and induced , from particular examples , general laws . Induction is the familiar process by which we infer from particular events something about the recurrence of such events in past ...
Стр. 188
The world is full of particular details , and men are some of them concerned to erect principles out of the details , and to discover universal values and concepts . I have already stated my own allegiance to some sort of universal ...
The world is full of particular details , and men are some of them concerned to erect principles out of the details , and to discover universal values and concepts . I have already stated my own allegiance to some sort of universal ...
Стр. 210
Oedipus Rex , King Lear and Phèdre are all the same in that they have no particular date or place ( Thebes might be anywhere ) , the characters have no particular appearance . The Greeks , indeed , went to pains to deny them features ...
Oedipus Rex , King Lear and Phèdre are all the same in that they have no particular date or place ( Thebes might be anywhere ) , the characters have no particular appearance . The Greeks , indeed , went to pains to deny them features ...
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THE FUNCTION OF CRITICISM | 35 |
AN APPROACH TO DRAMA I 20 | 120 |
S AN APPROACH TO THE NOVEL | 182 |
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An Essential Discipline: An Introduction to Literary Criticism Fred Inglis Недоступно для просмотра - 1968 |
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action Antony attitudes audience beauty become begin belief better called century changes characters civilization comes complete course criticism culture deal death describes drama effect Elizabethan English essential example experience expression fact feeling felt finally force give greatest hard human ideas important individual intelligence Jane Jonson judge judgement kind language less literary literature living look manner matter mean mind moral move nature never novel novelist once ourselves particular passion past perhaps play poem poet poetic poetry political possible present prose reader reading reason religious remark response rhythms seems sense shape social society speak speech spirit story sure theme things thought tion tone tradition turn understanding values voice whole writing