An Essential Discipline: An Introduction to Literary Criticism |
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Стр. 88
As Keats wrote in a letter , in truth I do not at all believe in this sort of perfectibility - the nature of the world will not admit of it – the inhabitants of the world will correspond to itself . Let the fish Philosophise the ice ...
As Keats wrote in a letter , in truth I do not at all believe in this sort of perfectibility - the nature of the world will not admit of it – the inhabitants of the world will correspond to itself . Let the fish Philosophise the ice ...
Стр. 99
He recalls the time when in his youth Nature made him drunk ( “ The sounding cataract / Haunted me : ' ) , and welcomes this calmer stage of life in which he feels the more ultimate power of some spirit present in Nature ( .
He recalls the time when in his youth Nature made him drunk ( “ The sounding cataract / Haunted me : ' ) , and welcomes this calmer stage of life in which he feels the more ultimate power of some spirit present in Nature ( .
Стр. 100
I bounded o'er the mountains , by the sides Of the deep rivers , and the lonely streams , Wherever nature led : more like a man Flying from something that he dreads than one Who sought the thing he loved . For nature then ( The coarser ...
I bounded o'er the mountains , by the sides Of the deep rivers , and the lonely streams , Wherever nature led : more like a man Flying from something that he dreads than one Who sought the thing he loved . For nature then ( The coarser ...
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THE FUNCTION OF CRITICISM | 35 |
AN APPROACH TO DRAMA I 20 | 120 |
S AN APPROACH TO THE NOVEL | 182 |
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An Essential Discipline: An Introduction to Literary Criticism Fred Inglis Недоступно для просмотра - 1968 |
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action Antony attitudes audience beauty become begin belief better called century changes characters civilization comes complete course criticism culture deal death describes drama effect Elizabethan English essential example experience expression fact feeling felt finally force give greatest hard human ideas important individual intelligence Jane Jonson judge judgement kind language less literary literature living look manner matter mean mind moral move nature never novel novelist once ourselves particular passion past perhaps play poem poet poetic poetry political possible present prose reader reading reason religious remark response rhythms seems sense shape social society speak speech spirit story sure theme things thought tion tone tradition turn understanding values voice whole writing