An Essential Discipline: An Introduction to Literary Criticism |
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a Before going any further , it will be as well to consider one or two ideas and misconceptions about literature and , in the process , to make my own position clear . I make no claims to originality in my theories ; they have grown ...
a Before going any further , it will be as well to consider one or two ideas and misconceptions about literature and , in the process , to make my own position clear . I make no claims to originality in my theories ; they have grown ...
Стр. 256
When we pursue the quality of life expressed in television or the newspapers , legal documents , advertisements and electioneering broadsheets , we stand confirmed that language nowhere ceases to be literature , and wherever ideas and ...
When we pursue the quality of life expressed in television or the newspapers , legal documents , advertisements and electioneering broadsheets , we stand confirmed that language nowhere ceases to be literature , and wherever ideas and ...
Стр. 257
Our first business in the study of literature is to find what is excellent , to know it when it is found , and , having found it , to study it . The preceding pages will , I hope , help readers to do this . The study of literature is ...
Our first business in the study of literature is to find what is excellent , to know it when it is found , and , having found it , to study it . The preceding pages will , I hope , help readers to do this . The study of literature is ...
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THE FUNCTION OF CRITICISM | 35 |
AN APPROACH TO DRAMA I 20 | 120 |
S AN APPROACH TO THE NOVEL | 182 |
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An Essential Discipline: An Introduction to Literary Criticism Fred Inglis Недоступно для просмотра - 1968 |
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action Antony attitudes audience beauty become begin belief better called century changes characters civilization comes complete course criticism culture deal death describes drama effect Elizabethan English essential example experience expression fact feeling felt finally force give greatest hard human ideas important individual intelligence Jane Jonson judge judgement kind language less literary literature living look manner matter mean mind moral move nature never novel novelist once ourselves particular passion past perhaps play poem poet poetic poetry political possible present prose reader reading reason religious remark response rhythms seems sense shape social society speak speech spirit story sure theme things thought tion tone tradition turn understanding values voice whole writing