An Essential Discipline: An Introduction to Literary Criticism |
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Стр. 24
These cosy ideas were , of course , no offspring of Hobbes's grim pessimism , and they were resisted by traditional thinkers like Dr Johnson , to whom such complacency seemed , rightly , nothing short of appalling .
These cosy ideas were , of course , no offspring of Hobbes's grim pessimism , and they were resisted by traditional thinkers like Dr Johnson , to whom such complacency seemed , rightly , nothing short of appalling .
Стр. 26
Human Nature 1740 ) Locke's proposition that the mind operates primarily by the association of ideas collected and stored in the memory , but he also developed the argument to a point at which he concluded that all behaviour depended on ...
Human Nature 1740 ) Locke's proposition that the mind operates primarily by the association of ideas collected and stored in the memory , but he also developed the argument to a point at which he concluded that all behaviour depended on ...
Стр. 44
It tends to establish an order of ideas , if not absolutely true , yet true by comparison with that which it displaces ; to make the best ideas prevail . Presently these new ideas reach society , the touch of truth is the touch of life ...
It tends to establish an order of ideas , if not absolutely true , yet true by comparison with that which it displaces ; to make the best ideas prevail . Presently these new ideas reach society , the touch of truth is the touch of life ...
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THE FUNCTION OF CRITICISM | 35 |
AN APPROACH TO DRAMA I 20 | 120 |
S AN APPROACH TO THE NOVEL | 182 |
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An Essential Discipline: An Introduction to Literary Criticism Fred Inglis Недоступно для просмотра - 1968 |
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action Antony attitudes audience beauty become begin belief better called century changes characters civilization comes complete course criticism culture deal death describes drama effect Elizabethan English essential example experience expression fact feeling felt finally force give greatest hard human ideas important individual intelligence Jane Jonson judge judgement kind language less literary literature living look manner matter mean mind moral move nature never novel novelist once ourselves particular passion past perhaps play poem poet poetic poetry political possible present prose reader reading reason religious remark response rhythms seems sense shape social society speak speech spirit story sure theme things thought tion tone tradition turn understanding values voice whole writing