An Essential Discipline: An Introduction to Literary Criticism |
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Стр. 84
The poem is formally composed for the occasion of a gentlewoman's death . It regrets the death , praises the lady , and bids her farewell . A careful paraphrase might go : ' reader , would you care to hear how much can be said briefly ?
The poem is formally composed for the occasion of a gentlewoman's death . It regrets the death , praises the lady , and bids her farewell . A careful paraphrase might go : ' reader , would you care to hear how much can be said briefly ?
Стр. 94
Then , with no throbs of fiery pain , No cold gradations of decay , Death broke at once the vital chain , And freed his soul the nearest way . ( Lines on the Death of Mr Levett : Samuel Johnson 1782 ) Mr Levett was a rather blundering ...
Then , with no throbs of fiery pain , No cold gradations of decay , Death broke at once the vital chain , And freed his soul the nearest way . ( Lines on the Death of Mr Levett : Samuel Johnson 1782 ) Mr Levett was a rather blundering ...
Стр. 142
228-40 ) She feels the tenderness of the speech at Antony's death which has been quoted , but not long afterwards she is again plotting to withhold treasure from Caesar . Finally , in language of great ceremony and dignity she chooses ...
228-40 ) She feels the tenderness of the speech at Antony's death which has been quoted , but not long afterwards she is again plotting to withhold treasure from Caesar . Finally , in language of great ceremony and dignity she chooses ...
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THE FUNCTION OF CRITICISM | 35 |
AN APPROACH TO DRAMA I 20 | 120 |
S AN APPROACH TO THE NOVEL | 182 |
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An Essential Discipline: An Introduction to Literary Criticism Fred Inglis Недоступно для просмотра - 1968 |
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action Antony attitudes audience beauty become begin belief better called century changes characters civilization comes complete course criticism culture deal death describes drama effect Elizabethan English essential example experience expression fact feeling felt finally force give greatest hard human ideas important individual intelligence Jane Jonson judge judgement kind language less literary literature living look manner matter mean mind moral move nature never novel novelist once ourselves particular passion past perhaps play poem poet poetic poetry political possible present prose reader reading reason religious remark response rhythms seems sense shape social society speak speech spirit story sure theme things thought tion tone tradition turn understanding values voice whole writing