An Essential Discipline: An Introduction to Literary Criticism |
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Стр. 52
( ' What I believe ' 1939 ) Poetry stands witness to man's belief in his own powers of self - determination : strictly determinist poetry wouldn't be worth writing . If you believe that man has no freedom of action , then there is no ...
( ' What I believe ' 1939 ) Poetry stands witness to man's belief in his own powers of self - determination : strictly determinist poetry wouldn't be worth writing . If you believe that man has no freedom of action , then there is no ...
Стр. 122
But of course the Greek festival was a genuinely communal ritual : the audience was identified with the action . These relations of ritual , drama and audience are what define the special nature of a play . The communication of a play ...
But of course the Greek festival was a genuinely communal ritual : the audience was identified with the action . These relations of ritual , drama and audience are what define the special nature of a play . The communication of a play ...
Стр. 123
In the action , Theseus , a King of Thebes , discovers elders of the society dressed to celebrate the God Dionysus in festive debauch - a dress highly unsuitable to their years and standing . He hears of the women of the city ...
In the action , Theseus , a King of Thebes , discovers elders of the society dressed to celebrate the God Dionysus in festive debauch - a dress highly unsuitable to their years and standing . He hears of the women of the city ...
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Содержание
THE FUNCTION OF CRITICISM | 35 |
AN APPROACH TO DRAMA I 20 | 120 |
S AN APPROACH TO THE NOVEL | 182 |
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An Essential Discipline: An Introduction to Literary Criticism Fred Inglis Недоступно для просмотра - 1968 |
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action Antony attitudes audience beauty become begin belief better called century changes characters civilization comes complete course criticism culture deal death describes drama effect Elizabethan English essential example experience expression fact feeling felt finally force give greatest hard human ideas important individual intelligence Jane Jonson judge judgement kind language less literary literature living look manner matter mean mind moral move nature never novel novelist once ourselves particular passion past perhaps play poem poet poetic poetry political possible present prose reader reading reason religious remark response rhythms seems sense shape social society speak speech spirit story sure theme things thought tion tone tradition turn understanding values voice whole writing