An Essential Discipline: An Introduction to Literary Criticism |
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Стр. 128
The Elizabethan audience , even where it was illiterate , understood the language it heard from the stage , was familiar with the story told , and felt the implications . They were not attending Macbeth as a cheap thriller .
The Elizabethan audience , even where it was illiterate , understood the language it heard from the stage , was familiar with the story told , and felt the implications . They were not attending Macbeth as a cheap thriller .
Стр. 130
There is , however , one aspect of Elizabethan drama which still demands discussion : the acting conventions in Elizabethan drama . Our own theatre , as we shall see , is vastly different to the Elizabethan ; only by contrast are the ...
There is , however , one aspect of Elizabethan drama which still demands discussion : the acting conventions in Elizabethan drama . Our own theatre , as we shall see , is vastly different to the Elizabethan ; only by contrast are the ...
Стр. 131
The best way to act Elizabethan drama is , surely , to use Elizabethan conventions . We know what their stage looked like , how small their theatres were , and that they used few properties . For years these things were accounted ...
The best way to act Elizabethan drama is , surely , to use Elizabethan conventions . We know what their stage looked like , how small their theatres were , and that they used few properties . For years these things were accounted ...
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THE FUNCTION OF CRITICISM | 35 |
AN APPROACH TO DRAMA I 20 | 120 |
S AN APPROACH TO THE NOVEL | 182 |
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An Essential Discipline: An Introduction to Literary Criticism Fred Inglis Недоступно для просмотра - 1968 |
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