No and Kyogen in the Contemporary WorldJames R. Brandon University of Hawaii Press, 1 мая 1997 г. - Всего страниц: 264 How do classical, highly codified theatre arts retain the interest of today's audiences and how do they grow and respond to their changing circumstances? The eight essays presented here examine the contemporary relevance and significance of the "classic" No and Kyogen theatre to Japan and the West. They explore the theatrical experience from many perspectives--those of theatre, music, dance, art, literature, linguistics, philosophy, religion, history and sociology. |
Содержание
Introduction | 3 |
Considerations for a New Nō Perspective | 19 |
Yugen after Zeami | 36 |
The WakiShite Relationship in | 65 |
Introduction | 93 |
From Zeami to Hisao | 111 |
Nō Changes | 125 |
Dialogue and Monologue in | 142 |
Introduction | 157 |
Experiments in Kyōgen | 173 |
Contemporary Audiences and the Pilgrimage to | 183 |
Teaching the Paradox of | 202 |
| 243 | |
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