Towards a Romantic Conception of Nature: Coleridge's Poetry Up to 1803 : a Study in the History of IdeasJohn Benjamins Publishing, 1 янв. 1984 г. - Всего страниц: 214 This study describes in detail the development of Coleridge's attitude to nature as it is reflected in his poetry. It analyses the different stages of Coleridge's search for a meaningful relation to nature from an uncritical adoption of the eighteenth century conventions in his early poetry to a projectionist view in his poems of 1802. It offers challenging new readings of some of Coleridge's major poems like 'The Ancient Mariner' and 'Dejection: an Ode', and tries to rehabilitate some minor ones, like 'The Picture'. Attention is also paid to his relation with Wordsworth. It discusses in detail the philosophical background of Coleridge's views and considers the contribution of German thought to his development. As a whole this study affords a new insight into the genesis of romanticism in England. |
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Содержание
Acknowledgements | 1 |
The Eighteenth Century Tradition of Nature Poetry | 13 |
The Traditional Character of Coleridges Early Poetry | 25 |
The 1796 Poems and their Philosophical Background | 33 |
Coleridge and Wordsworth in 1797 Their Interest in Evil | 55 |
The Ancient Mariner | 65 |
A Companion Piece to The Ancient Mariner | 95 |
A Brief Survey of Continental Ideas on Man and Nature | 103 |
A Movement Away From Empiricism Towards the one Life | 117 |
Dejection an Ode | 133 |
Romantic Irony in The Picture | 153 |
Conclusion | 169 |
Bibliography | 203 |
209 | |
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Towards a Romantic Conception of Nature: Coleridge's Poetry up to 1803: A ... H.R. Rookmaaker Ограниченный просмотр - 1984 |
Towards a Romantic Conception of Nature: Coleridge's Poetry Up to 1803 : a ... Hendrik Roelof Rookmaaker Недоступно для просмотра - 1984 |
Часто встречающиеся слова и выражения
activity affirms Akenside Akenside's albatross alienation from nature Ancient Mariner appears argued asserts atheism attitude to nature basis beauty become believes Berkeley Berkeley's Biographia Literaria chapter Charles Lamb Christian Coleridge Coleridge's development Coleridge's position Coleridge's thought conception continental thought critics dejection ode Descartes described discussed divine force dream eighteenth century empiricism empiricist Eolian Eolian Harp epistemology experience external nature external world fancy fear feeling German harp Hartley Hartley's human Ibid ideal ideas imagination implies indicate inner interest in nature interpretation Kant Kubla Khan Leibnitz lines man's mariner's mind moral nature poetry nature's influence necessitarian Neoplatonic notebook pantheistic passage passive perceive Peter Bell phantom phantom girl philosophy Plotinus poem poet poet's poetic protagonist reality recognized reference regards reveals role romantic Samuel Taylor Coleridge Schiller seems sense perceptions sestet soul Spinoza spirit stanza statement suggests superstition things tion unity Werther wind-harp Wordsworth
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