Towards a Romantic Conception of Nature: Coleridge's Poetry Up to 1803 : a Study in the History of IdeasThis study describes in detail the development of Coleridge's attitude to nature as it is reflected in his poetry. It analyses the different stages of Coleridge's search for a meaningful relation to nature from an uncritical adoption of the eighteenth century conventions in his early poetry to a projectionist view in his poems of 1802. It offers challenging new readings of some of Coleridge's major poems like 'The Ancient Mariner' and 'Dejection: an Ode', and tries to rehabilitate some minor ones, like 'The Picture'. Attention is also paid to his relation with Wordsworth. It discusses in detail the philosophical background of Coleridge's views and considers the contribution of German thought to his development. As a whole this study affords a new insight into the genesis of romanticism in England. |
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Содержание
Acknowledgements | 1 |
The Eighteenth Century Tradition of Nature Poetry | 13 |
The Traditional Character of Coleridges Early Poetry | 25 |
The 1796 Poems and their Philosophical Background | 33 |
Coleridge and Wordsworth in 1797 Their Interest in Evil | 55 |
The Ancient Mariner | 65 |
A Companion Piece to The Ancient Mariner | 95 |
A Brief Survey of Continental Ideas on Man and Nature | 103 |
A Movement Away From Empiricism Towards the one Life | 117 |
Dejection an Ode | 133 |
Romantic Irony in The Picture | 153 |
Conclusion | 169 |
Bibliography | 203 |
209 | |
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Towards a Romantic Conception of Nature: Coleridge's Poetry up to 1803: A ... H.R. Rookmaaker Ограниченный просмотр - 1984 |
Towards a Romantic Conception of Nature: Coleridge's Poetry Up to 1803 : a ... Hendrik Roelof Rookmaaker Недоступно для просмотра - 1984 |
Часто встречающиеся слова и выражения
accepted activity affirms alienation Ancient Mariner appears argued asserts associated attempt attitude basis beauty become beginning believes Berkeley calls chapter clear clearly Coleridge Coleridge's conception concerned concludes connection Consequently considered course critics dejection described detailed discussed divine dream early eighteenth century existence experience expressed extent external fact fancy fear feeling final force German gives harp Hartley heart hope human Ibid ideal ideas imagination implies important indicate influence inner interest interpretation knowledge later letter light lines man's mariner's matter means mind moral nature nature's Neoplatonic object origin passage passive perceive perception philosophy play poem poet poetry position possible present puts reality reason recognized reference regards relation reveals role romantic seems sense significant similar soul spirit stanza statement subjective suggests things thought understanding unity Wordsworth
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Convention and Innovation in Literature Theo d'. Haen,Rainer Georg Grübel,Helmut Lethen Недоступно для просмотра - 1989 |