Disowned by Memory: Wordsworth's Poetry of the 1790sUniversity of Chicago Press, 15 апр. 2000 г. - Всего страниц: 186 Although we know him as one of the greatest English poets, William Wordsworth might not have become a poet at all without the experience of personal and historical catastrophe in his youth. In Disowned by Memory, David Bromwich connects the accidents of Wordsworth's life with the originality of his writing, showing how the poet's strong sympathy with the political idealism of the age and with the lives of the outcast and the dispossessed formed the deepest motive of his writings of the 1790s. "This very Wordsworthian combination of apparently low subjects with extraordinary 'high argument' makes for very rewarding, though often challenging reading."—Kenneth R. Johnston, Washington Times "Wordsworth emerges from this short and finely written book as even stranger than we had thought, and even more urgently our contemporary."—Grevel Lindop, Times Literary Supplement "[Bromwich's] critical interpretations of the poetry itself offer readers unusual insights into Wordworth's life and work."—Library Journal "An added benefit of this book is that it restores our faith that criticism can actually speak to our needs. Bromwich is a rigorous critic, but he is a general one whose insights are broadly applicable. It's an intellectual pleasure to rise to his complexities."—Vijay Seshadri, New York Times Book Review |
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Стр. vii
... Relations in the Preface and Two Ballads 92 5. The Trial of Individuality 110 6. Historical Catastrophe and Personal Memory 139 Conclusion 175 Index 181 PREFACE This book offers an interpretation of Wordsworth's purpose and.
... Relations in the Preface and Two Ballads 92 5. The Trial of Individuality 110 6. Historical Catastrophe and Personal Memory 139 Conclusion 175 Index 181 PREFACE This book offers an interpretation of Wordsworth's purpose and.
Стр. x
... relation between his poetry and his experience , and what he does not own , the conditions of his time and place cannot possibly capture . To regard personal identity in Wordsworth's way is to see it as coher- ent and irreducible by ...
... relation between his poetry and his experience , and what he does not own , the conditions of his time and place cannot possibly capture . To regard personal identity in Wordsworth's way is to see it as coher- ent and irreducible by ...
Стр. 5
... relation by his presence must , in order to care for him , suspend all ordinary categories of status and rooted feeling . This suspense , coming under various names , often in proximity to an idea of admonishment from unknown regions ...
... relation by his presence must , in order to care for him , suspend all ordinary categories of status and rooted feeling . This suspense , coming under various names , often in proximity to an idea of admonishment from unknown regions ...
Стр. 10
... relationship has been peculiarly vexed by the rival demands of advocacy and exposure . Mary Jacobus , in an unsparing analysis of the episode of Vaudracour and Julia in The Prelude ( Words- worth's romantic construction of himself to ...
... relationship has been peculiarly vexed by the rival demands of advocacy and exposure . Mary Jacobus , in an unsparing analysis of the episode of Vaudracour and Julia in The Prelude ( Words- worth's romantic construction of himself to ...
Стр. 24
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Содержание
Alienation and Belonging to Humanity | 23 |
Political Justice in The Borderers | 44 |
The French Revolution and Tintern Abbey | 69 |
Moral Relations in the Preface and Two Ballads | 92 |
The Trial of Individuality | 110 |
Historical Catastrophe and Personal Memory | 139 |
Conclusion | 175 |
181 | |
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action affections Ancient Mariner associated become believe belong Betty Foy Bishop of Llandaff blessing Borderers Burke character childhood Coleridge comes common crime Divine Corporation E. P. Thompson early Excursion experience fear feeling felt France gratitude guilt habit heart hero hope human idea Idiot Boy imagination interest Johnny letter lines living look Lyrical Ballads Macbeth Martha Ray mean memory memory-fragment ment metaphor Michael mind mood moral Mortimer Mortimer's motive murder narrator nature never objects Old Cumberland Beggar once Othello passage Pedlar person Peter Bell pleasure poem poet poet's poetry political Preface Prelude reader reason relation revolution Rivers Ruined Cottage Salisbury Plain scene seems sensation sense sentiment September massacres social society someone soul spirit seal story sublime suffering suggests supposed sympathy tells terror things Thorn thought Tintern Abbey tion turn wander wants William Wordsworth Words Wordsworth worth wrote
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