Byron and His Fictions

action allusion already appears attempt Augusta authority becomes Byron Cain called Canto cause character Childe Harold close consciousness continues contrast death described desire Doge Don Juan drama early effect English experience expressed Faliero fall father fears feelings fictions figure final force gives Haidée heart hero hope human imagination Italy Juan's language later less lines look Lord lost Manfred Manfred's marks maternal meaning memory mind mother narrator nature never object once passion past pattern perhaps play poem poet Poetry position present Press psychological reader reality reflects relationship remains representative reveals role Sardanapalus scene seems sense sexual shows situation stanza story suggests thee thing thou thought throughout tion true turn Ulric Univ Werner wish woman women