Rural Artists' Colonies in Europe, 1870-1910Manchester University Press, 2001 - Всего страниц: 238 Why did thousands of 19th-century artists leave the established urban centres of culture to live and work in the countryside? By 1900 there were over 80 rural artists' communities across northern and central Europe. This is a critical analysis of the phenomenon on a Europe-wide basis. It combines close visual readings of intriguing and little known paintings with a multi-disciplinary approach, drawing on sociology, geography and theories of tourism. |
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Patrons and publicans | 64 |
Forest interiors | 81 |
Landscapes of immersion | 107 |
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Ahrenshoop American anecdotes argue art history artist-colonists avant-garde Barbizon bourgeois Bremen Breton Brittany Brøndum canvas Carl Bantzer cent women century chapter colour plate communities Concarneau costume countryside cultural Dachau Delouche Dutch Egmond environment example exhibition experience figure Fischerhude fisherfolk Forbes foreground forest of Fontainebleau Fritz Mackensen Gallery Gari Melchers gaze Giverny Grèz Hamdorff Hicok Low Ibid images immersion in nature innkeepers Jacobs Jean-François Millet Katwijk Key reading Kronberg Krøyer Kunst Landschaft Laren locations London Lübbren Millet modern modernist Monet Moor Canal motifs Munich Museum Newlyn nineteenth nineteenth-century nostalgia Otto Modersohn Overbeck painters paintings Paris Paul Gauguin peasants Peder Severin Krøyer pictorial picture place-myth plein-air Pollock Pont-Aven Pouldu pre-modern quoted reality region representations Rijsoord rural artists Selected artists sense Sint-Martens-Latem Skagen social sous-bois Spaander St Ives Stanhope Forbes stereotypes Stevenson studios summer tion tourist trees urban Urry viewers village visitors Volendam Willingshausen Woestijne Worpswede