Shakespeare's Early TragediesRoutledge, 11 окт. 2013 г. - Всего страниц: 232 First published in 1968. Shakespeare's Early Tragedies contains studies of six plays: Titus Andronicus, Richard III, Romeo and Juliet, Richard II, Julius Caesar and Hamlet. The emphasis is on the variety of the plays, and the themes, a variety which has been too often obscured by the belief in a single 'tragic experience'. The kind of experience the plays create and their quality as dramatic works for the stage are also examined. These essays develop an understanding of Shakespeare's use of the stage picture in relation to the emblematic imagery of Elizabethan poetry. |
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... formal characteristics, neither shows any trace of the classical five-Act structure which Shakespeare thought appro~ priate for Tim: and Romeo and juliet. But otherwise the Riebardr have almost nothing in common at all, and it may seem ...
... formal characteristics, neither shows any trace of the classical five-Act structure which Shakespeare thought appro~ priate for Tim: and Romeo and juliet. But otherwise the Riebardr have almost nothing in common at all, and it may seem ...
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... formal kinds of prose, blank verse that is close to speech or to prose, and so on up to a verse that is very remote indeed from prose or any form of common speech, whether or not it is enclosed in rhyme. In different circumstances he ...
... formal kinds of prose, blank verse that is close to speech or to prose, and so on up to a verse that is very remote indeed from prose or any form of common speech, whether or not it is enclosed in rhyme. In different circumstances he ...
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Содержание
1 | |
13 | |
Richard III 1593? | 48 |
Romeo and Juliet 1595 | 80 |
Richard II 1595 | 107 |
Julius Caesar 1599 | 138 |
Hamlet 16001 | 163 |
Selective Bibliography | 207 |
Index | 211 |
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Часто встречающиеся слова и выражения
Aaron action Antony audience beast becomes blank verse blood Bolingbroke Brutus Caesar Cassius character choric Clarence’s Claudius climax comedy comic confidence conflict conscience contrast course critical curse death divine doth Dover Wilson dramatic dream earlier plays echoes Edward’s emblem emblematic emerges established fact Faerie Queene figure final finally find fire first fit flesh formal fulfil ghost Hamlet hath heaven and hell heroic Horatio human irony julius Caesar kind king Laertes later Lavinia Lucius magnificent Marcus Margaret Mercutio murder night nobility noble obvious Ophelia pattern play’s poetic poetry political Polonius prose Queen Queen Mab question reflection revenge rhetorical Richard Richard II ritual Roman Rome Romeo and Juliet Saturninus scene seems sense sequence Shakespeare significance simple soliloquy specific speech stage stress structure suggested T. S. Eliot Tamora thee theme thou tion Titer Titus Titus Andronicus tone tragedy tragic utterance verse words