Shakespeare's Early TragediesRoutledge, 11 окт. 2013 г. - Всего страниц: 232 First published in 1968. Shakespeare's Early Tragedies contains studies of six plays: Titus Andronicus, Richard III, Romeo and Juliet, Richard II, Julius Caesar and Hamlet. The emphasis is on the variety of the plays, and the themes, a variety which has been too often obscured by the belief in a single 'tragic experience'. The kind of experience the plays create and their quality as dramatic works for the stage are also examined. These essays develop an understanding of Shakespeare's use of the stage picture in relation to the emblematic imagery of Elizabethan poetry. |
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Стр. 1
... dramatic genre, but, in its true form, a distinctive and peculiarly fine experience. It is, I think, rather curious how easily this discrimination has been assimilated: it seems to have become possible for every schoolchild to ...
... dramatic genre, but, in its true form, a distinctive and peculiarly fine experience. It is, I think, rather curious how easily this discrimination has been assimilated: it seems to have become possible for every schoolchild to ...
Стр. 2
... am not convinced any longer that there is a single homogeneous tragic experience that can be used to distinguish true tragedy from a lower kind; nor that a dramatic criticism based on this concept is z Sbakeqbeare': Ear/y Tragedies.
... am not convinced any longer that there is a single homogeneous tragic experience that can be used to distinguish true tragedy from a lower kind; nor that a dramatic criticism based on this concept is z Sbakeqbeare': Ear/y Tragedies.
Стр. 3
Nicholas Brooke. nor that a dramatic criticism based on this concept is a valid one for the later plays, let alone the earlier ones. I am, however, convinced that the long settled opinion on this matter has had a depressing effect on the ...
Nicholas Brooke. nor that a dramatic criticism based on this concept is a valid one for the later plays, let alone the earlier ones. I am, however, convinced that the long settled opinion on this matter has had a depressing effect on the ...
Стр. 5
... dramatic experience already established on the English stage: with the popular tradition leading back through Cambises to the moralities, or the more recent sophistication of Lyly, Greene, Peele, Kyd, and, especially of course, Marlowe ...
... dramatic experience already established on the English stage: with the popular tradition leading back through Cambises to the moralities, or the more recent sophistication of Lyly, Greene, Peele, Kyd, and, especially of course, Marlowe ...
Стр. 6
... dramatic possibilities of the already highly sophisticated forms of Elizabethan verse: the use of emblematic imagery ... dramatic verse may well sound unpromising. But it is already clear in The Rape of Latreee that for Shakespeare the ...
... dramatic possibilities of the already highly sophisticated forms of Elizabethan verse: the use of emblematic imagery ... dramatic verse may well sound unpromising. But it is already clear in The Rape of Latreee that for Shakespeare the ...
Содержание
1 | |
13 | |
Richard III 1593? | 48 |
Romeo and Juliet 1595 | 80 |
Richard II 1595 | 107 |
Julius Caesar 1599 | 138 |
Hamlet 16001 | 163 |
Selective Bibliography | 207 |
Index | 211 |
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Часто встречающиеся слова и выражения
Aaron action Antony audience beast becomes blank verse blood Bolingbroke Brutus Caesar Cassius character choric Clarence’s Claudius climax comedy comic confidence conflict conscience contrast course critical curse death divine doth Dover Wilson dramatic dream earlier plays echoes Edward’s emblem emblematic emerges established fact Faerie Queene figure final finally find fire first fit flesh formal fulfil ghost Hamlet hath heaven and hell heroic Horatio human irony julius Caesar kind king Laertes later Lavinia Lucius magnificent Marcus Margaret Mercutio murder night nobility noble obvious Ophelia pattern play’s poetic poetry political Polonius prose Queen Queen Mab question reflection revenge rhetorical Richard Richard II ritual Roman Rome Romeo and Juliet Saturninus scene seems sense sequence Shakespeare significance simple soliloquy specific speech stage stress structure suggested T. S. Eliot Tamora thee theme thou tion Titer Titus Titus Andronicus tone tragedy tragic utterance verse words