Shakespeare's Early TragediesRoutledge, 11 окт. 2013 г. - Всего страниц: 232 First published in 1968. Shakespeare's Early Tragedies contains studies of six plays: Titus Andronicus, Richard III, Romeo and Juliet, Richard II, Julius Caesar and Hamlet. The emphasis is on the variety of the plays, and the themes, a variety which has been too often obscured by the belief in a single 'tragic experience'. The kind of experience the plays create and their quality as dramatic works for the stage are also examined. These essays develop an understanding of Shakespeare's use of the stage picture in relation to the emblematic imagery of Elizabethan poetry. |
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... critically as prentice work, and examined for handy comparisons to illumine the quality of later achievements. Thus passages are cited to show the stiffness of the verse against the flexibility of the 'mature style' (as if Shakespeare ...
... critically as prentice work, and examined for handy comparisons to illumine the quality of later achievements. Thus passages are cited to show the stiffness of the verse against the flexibility of the 'mature style' (as if Shakespeare ...
Стр. 5
... critical investigation, into iterative imagery or control of tone for instance, began with examination of the later plays, and assumed that what was found to be so characteristic of them must have grown to this obscure but brilliant ...
... critical investigation, into iterative imagery or control of tone for instance, began with examination of the later plays, and assumed that what was found to be so characteristic of them must have grown to this obscure but brilliant ...
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... Critical judgement still fathered scholarly opinion: Dover Wilson thought the play 'rottenly planned', and so ... critical inquiry; and when they are based on nothing but critical opinion, the circle is vicious indeed. Francis Meres in I ...
... Critical judgement still fathered scholarly opinion: Dover Wilson thought the play 'rottenly planned', and so ... critical inquiry; and when they are based on nothing but critical opinion, the circle is vicious indeed. Francis Meres in I ...
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Содержание
1 | |
13 | |
Richard III 1593? | 48 |
Romeo and Juliet 1595 | 80 |
Richard II 1595 | 107 |
Julius Caesar 1599 | 138 |
Hamlet 16001 | 163 |
Selective Bibliography | 207 |
Index | 211 |
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Часто встречающиеся слова и выражения
Aaron action Antony audience beast becomes blank verse blood Bolingbroke Brutus Caesar Cassius character choric Clarence’s Claudius climax comedy comic confidence conflict conscience contrast course critical curse death divine doth Dover Wilson dramatic dream earlier plays echoes Edward’s emblem emblematic emerges established fact Faerie Queene figure final finally find fire first fit flesh formal fulfil ghost Hamlet hath heaven and hell heroic Horatio human irony julius Caesar kind king Laertes later Lavinia Lucius magnificent Marcus Margaret Mercutio murder night nobility noble obvious Ophelia pattern play’s poetic poetry political Polonius prose Queen Queen Mab question reflection revenge rhetorical Richard Richard II ritual Roman Rome Romeo and Juliet Saturninus scene seems sense sequence Shakespeare significance simple soliloquy specific speech stage stress structure suggested T. S. Eliot Tamora thee theme thou tion Titer Titus Titus Andronicus tone tragedy tragic utterance verse words