Biographia Literaria: Or, Biographical Sketches of My Literary Life and Opinions, Том 2R. Fenner, 1817 - Всего страниц: 309 |
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Стр. 5
... never concurred ; but on the contrary objected to them as erroneous in prin- ciple , and as contradictory ( in appearance at least ) both to other parts of the same preface , and to the author's own practice in the greater number of the ...
... never concurred ; but on the contrary objected to them as erroneous in prin- ciple , and as contradictory ( in appearance at least ) both to other parts of the same preface , and to the author's own practice in the greater number of the ...
Стр. 14
... never be a genuine poet . Imagery ( even taken from nature , much more when transplanted from books , as travels , voyages , and works of natural history ) affect- ing incidents ; just thoughts ; interesting per- sonal or domestic ...
... never be a genuine poet . Imagery ( even taken from nature , much more when transplanted from books , as travels , voyages , and works of natural history ) affect- ing incidents ; just thoughts ; interesting per- sonal or domestic ...
Стр. 15
... never be learnt . It is in these that " Poeta nascitur non fit . " 2. A second promise of genius is the choice of subjects very remote from the private inte rests and circumstances of the writer himself . At least I have found , that ...
... never be learnt . It is in these that " Poeta nascitur non fit . " 2. A second promise of genius is the choice of subjects very remote from the private inte rests and circumstances of the writer himself . At least I have found , that ...
Стр. 16
... never broken chain of imagery , always vivid and because un- broken , often minute ; by the highest effort of the picturesque in words , of which words are capable , higher perhaps than was ever realized by any other poet , even Dante ...
... never broken chain of imagery , always vivid and because un- broken , often minute ; by the highest effort of the picturesque in words , of which words are capable , higher perhaps than was ever realized by any other poet , even Dante ...
Стр. 17
... never was poem less dan- gerous on a moral account . Instead of doing as Ariosto , and as , still more offensively , Wieland has done , instead of degrading and deforming passion into appetite , the trials of love into the struggles of ...
... never was poem less dan- gerous on a moral account . Instead of doing as Ariosto , and as , still more offensively , Wieland has done , instead of degrading and deforming passion into appetite , the trials of love into the struggles of ...
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Стр. 12 - ... reveals itself in the balance or reconciliation of opposite or discordant qualities: of sameness, with difference; of the general, with the concrete; the idea, with the image; the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order...
Стр. 67 - But nature makes that mean: so, over that art Which you say adds to nature, is an art That nature makes. You see, sweet maid, we marry A...
Стр. 52 - Accordingly, such a language, arising out of repeated experience and regular feelings, is a more permanent, and a far more philosophical language, than that which is frequently substituted for it by Poets...
Стр. 38 - Humble and rustic life was generally chosen, because, in that condition, the essential passions of the heart find a better soil in which they can attain their maturity, are less under restraint, and speak a plainer and more emphatic language; because in that condition of life our elementary feelings co-exist in a state of greater simplicity, and, consequently, may be more accurately contemplated, and more forcibly communicated; because the manners of rural life germinate from those elementary feelings,...
Стр. 2 - In the one, the incidents and agents were to be, in part at least, supernatural; and the excellence aimed at was to consist in the interesting of the affections by the dramatic truth of such emotions as would naturally accompany such situations, supposing them real.
Стр. 18 - It has been before observed that images, however beautiful, though faithfully copied from nature, and as accurately represented in words, do not of themselves characterize the poet. They become proofs of original genius only as far as they are modified by a predominant passion; or by associated thoughts or images awakened by that passion...
Стр. 139 - While he was talking thus, the lonely place, The old Man's shape, and speech, all troubled me: In my mind's eye I seemed to see him pace About the weary moors continually, Wandering about alone and silently.
Стр. 174 - And not in utter nakedness, But trailing clouds of glory do we come From God who is our home: Heaven lies about us in our infancy! Shades of the prison-house begin to close Upon the growing boy ; But he beholds the light, and whence it flows, He sees it in his joy ! The youth who daily further from the east Must travel, still is nature's priest, And by the vision splendid Is on his way attended ; At length the man perceives it die away, And fade into the light of common day.
Стр. 20 - ... with him: Yet nor the lays of birds, nor the sweet smell Of different flowers in odour and in hue, Could make me any summer's story tell, Or from their proud lap pluck them where they grew : Nor did I wonder at the lily's white, Nor praise the deep vermilion in the rose ; They were but sweet, but figures of delight, Drawn after you ; you pattern of all those. Yet seem'd it winter still, and, you away, As with your shadow I with these did play : XCIX.
Стр. 64 - And it would be a most easy task to prove to him, that not only the language of a large portion of every good poem, even of the most elevated character, must necessarily, except with reference to the metre, in no respect differ from that of good prose, but likewise that some of the most interesting parts of the best poems will be found to be strictly the language of prose when prose is well written.