Makers of Literary Criticism, Том 2Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1967 |
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Стр. 59
... Lines on revisiting the Wye , manly reflection and human associations had given both variety , and an additional interest to natural objects , which , in the passion and appetite of the first love , they had seemed to him neither to ...
... Lines on revisiting the Wye , manly reflection and human associations had given both variety , and an additional interest to natural objects , which , in the passion and appetite of the first love , they had seemed to him neither to ...
Стр. 91
... lines printed in italics ; it is equally obvious that , except in the rhyme , and in the use of the single word " fruitless for fruitlessly , which is so far a defect , the language of these lines does in no respect differ from that of ...
... lines printed in italics ; it is equally obvious that , except in the rhyme , and in the use of the single word " fruitless for fruitlessly , which is so far a defect , the language of these lines does in no respect differ from that of ...
Стр. 286
... lines and expressions of the great masters , and to apply them as a touchstone to other poetry . Of course we are ... lines , will serve our turn quite sufficiently . Take the two lines which I have just quoted from Homer , the place ...
... lines and expressions of the great masters , and to apply them as a touchstone to other poetry . Of course we are ... lines , will serve our turn quite sufficiently . Take the two lines which I have just quoted from Homer , the place ...
Содержание
Foreword | 1 |
NOTE TO THE THORN 1800 | 15 |
ESSAY SUPPLEMENTARY TO The Preface 1815 | 33 |
Авторские права | |
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Makers of Literary Criticism, Том 2 Balachandra Rajan,Arapura Ghevarghese George Просмотр фрагмента - 1965 |
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admiration Aeschylus appear artist beauty become Bishop Colenso character Chaucer colour common composition conscious criticism Dante delight diction distinction divine drama effect English English poetry estimate Euripides excellence excitement existence expression fact faculty fancy feeling French Revolution genius Goethe harmony heart Herodotus human ideas Iliad images imagination impression instance intellectual judgement kind language less lines literary literature living Lyrical Ballads manner means metre metrical Milton mind moral nation nature never novel object original Paradise Lost passages passion pathetic fallacy peculiar perfect perhaps Petrarch philosophical Pindar pleasure poem poet poet's poetical poetry practical praise present principle produced prose reader religion rhyme seems sense sentiment Shakespeare song Sophocles soul speak spirit stanza style taste things thou thought true truth verse Voltaire whole words Wordsworth Wordsworthian writings