Makers of Literary Criticism, Том 2Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1967 |
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Стр. 24
... fancy and imagination , as employed in the classification of the following poems . " A man , " says an intelligent author , " has imagination , in proportion as he can distinctly copy in idea the impressions of sense : it is the faculty ...
... fancy and imagination , as employed in the classification of the following poems . " A man , " says an intelligent author , " has imagination , in proportion as he can distinctly copy in idea the impressions of sense : it is the faculty ...
Стр. 29
... fancy ; but either the materials evoked and combined are different ; or they are brought together under a different law , and for a different purpose . Fancy does not require that the materials which she makes use of should be ...
... fancy ; but either the materials evoked and combined are different ; or they are brought together under a different law , and for a different purpose . Fancy does not require that the materials which she makes use of should be ...
Стр. 30
... Fancy is given to quicken and to beguile the temporal part of our nature , imagination to incite and to support the eternal . Yet it is not the less true that fancy , as she is an active , is also under her own laws and in her own ...
... Fancy is given to quicken and to beguile the temporal part of our nature , imagination to incite and to support the eternal . Yet it is not the less true that fancy , as she is an active , is also under her own laws and in her own ...
Содержание
Foreword | 1 |
NOTE TO THE THORN 1800 | 15 |
ESSAY SUPPLEMENTARY TO The Preface 1815 | 33 |
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Makers of Literary Criticism, Том 2 Balachandra Rajan,Arapura Ghevarghese George Просмотр фрагмента - 1965 |
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admiration Aeschylus appear artist beauty become Bishop Colenso character Chaucer colour common composition conscious criticism Dante delight diction distinction divine drama effect English English poetry estimate Euripides excellence excitement existence expression fact faculty fancy feeling French Revolution genius Goethe harmony heart Herodotus human ideas Iliad images imagination impression instance intellectual judgement kind language less lines literary literature living Lyrical Ballads manner means metre metrical Milton mind moral nation nature never novel object original Paradise Lost passages passion pathetic fallacy peculiar perfect perhaps Petrarch philosophical Pindar pleasure poem poet poet's poetical poetry practical praise present principle produced prose reader religion rhyme seems sense sentiment Shakespeare song Sophocles soul speak spirit stanza style taste things thou thought true truth verse Voltaire whole words Wordsworth Wordsworthian writings