Makers of Literary Criticism, Том 2Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1967 |
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Стр. 63
... consider either as primary , or secondary . The primary imagination I hold to be the living power and prime agent of all human perception , and as a repetition in the finite mind of the eternal act of creation in the infinite I AM . The ...
... consider either as primary , or secondary . The primary imagination I hold to be the living power and prime agent of all human perception , and as a repetition in the finite mind of the eternal act of creation in the infinite I AM . The ...
Стр. 228
... Consider , for example , to begin with the outermost development of his intensity , consider how he paints . He has a great power of vision ; seizes the very type of a thing ; presents that and nothing more . You remember that first ...
... Consider , for example , to begin with the outermost development of his intensity , consider how he paints . He has a great power of vision ; seizes the very type of a thing ; presents that and nothing more . You remember that first ...
Стр. 242
... Consider now , if they asked us , Will you give up your Indian Empire or your Shakespeare , you English ; never have had any Indian Empire , or never have had any Shakespeare ? Really it were a grave question . Official persons would ...
... Consider now , if they asked us , Will you give up your Indian Empire or your Shakespeare , you English ; never have had any Indian Empire , or never have had any Shakespeare ? Really it were a grave question . Official persons would ...
Содержание
Foreword | 1 |
NOTE TO THE THORN 1800 | 15 |
ESSAY SUPPLEMENTARY TO The Preface 1815 | 33 |
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Makers of Literary Criticism, Том 2 Balachandra Rajan,Arapura Ghevarghese George Просмотр фрагмента - 1965 |
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admiration Aeschylus appear artist beauty become Bishop Colenso character Chaucer colour common composition conscious criticism Dante delight diction distinction divine drama effect English English poetry estimate Euripides excellence excitement existence expression fact faculty fancy feeling French Revolution genius Goethe harmony heart Herodotus human ideas Iliad images imagination impression instance intellectual judgement kind language less lines literary literature living Lyrical Ballads manner means metre metrical Milton mind moral nation nature never novel object original Paradise Lost passages passion pathetic fallacy peculiar perfect perhaps Petrarch philosophical Pindar pleasure poem poet poet's poetical poetry practical praise present principle produced prose reader religion rhyme seems sense sentiment Shakespeare song Sophocles soul speak spirit stanza style taste things thou thought true truth verse Voltaire whole words Wordsworth Wordsworthian writings