Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 39The series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 1 through 10 present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 11-26 focus on the history of Shakespeare's plays on the stage and in important film adaptations. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. Starting with Vol. 57 the series provides general criticism published since 1990 and historical criticism not featured in previous volumes on four to five plays or works per volume. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. |
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Стр. 17
Macready had fifty - nine actors on stage when John spoke his opening lines , and eightyeight people when the armies came together in act 2 . Macready's very exaggeration , however , calls attention to the play's rather simple stage ...
Macready had fifty - nine actors on stage when John spoke his opening lines , and eightyeight people when the armies came together in act 2 . Macready's very exaggeration , however , calls attention to the play's rather simple stage ...
Стр. 37
On its stage , the monarch is inscrutable , standing “ not as an actor but as a spectacle ... distinguished . . . by his penetrating glance , and by his invisibility and his obscurity . ” 30 By contrast , the theater provided a place ...
On its stage , the monarch is inscrutable , standing “ not as an actor but as a spectacle ... distinguished . . . by his penetrating glance , and by his invisibility and his obscurity . ” 30 By contrast , the theater provided a place ...
Стр. 202
cox from the stage also anticipates Jack Cade's onstage slaughter at the hands of Iden , the only other character in the play as unequivocally virtuous as Gloucester . ) 35 1 pressed the interests of the elite .
cox from the stage also anticipates Jack Cade's onstage slaughter at the hands of Iden , the only other character in the play as unequivocally virtuous as Gloucester . ) 35 1 pressed the interests of the elite .
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Kingship | 1 |
Henry IV 1 and 2 | 72 |
Henry VI 1 2 and 3 | 153 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Просмотр фрагмента - 1984 |
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action appears audience authority battle become begins blood body Bolingbroke called ceremony character claim comes common course critics crown death divine drama earlier Elizabeth Elizabethan England English essay example face fact Falstaff father figure final force French gives Hal's hand head Henry Henry IV Henry's history plays Holinshed honour Hotspur human ideal John justice king king's kingship language later less lines live London look Lord means monarch moral murder nature never once opening past political present Press Prince provides queen question Renaissance rhetorical Richard Richard II role royal rule says scene seems sense Shake Shakespeare shows soliloquy speak speech stage Studies succession suggests thou tion tragedy true turn University virtues York young
Библиографические данные
| Название | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 39 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Gale Research Company |
| Соавтор | Gale Research Company |
| Издатель | Gale Research Company, 1984 |
| Владелец оригинала: | Мичиганский университет |
| Оцифровано | 22 май 2008 |
| ISBN | 0787612502, 9780787612504 |
| Экспорт цитаты | BiBTeX EndNote RefMan |