Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 39The series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 1 through 10 present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 11-26 focus on the history of Shakespeare's plays on the stage and in important film adaptations. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. Starting with Vol. 57 the series provides general criticism published since 1990 and historical criticism not featured in previous volumes on four to five plays or works per volume. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. |
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Jeanie Grant Moore ( essay date 1991 ) SOURCE : “ Queen of Sorrow , King of Grief : Reflections and Perspectives in Richard II , ” in In Another Country : Feminist Perspectives on Renaissance Drama , edited by Dorothea Kehler and Susan ...
Jeanie Grant Moore ( essay date 1991 ) SOURCE : “ Queen of Sorrow , King of Grief : Reflections and Perspectives in Richard II , ” in In Another Country : Feminist Perspectives on Renaissance Drama , edited by Dorothea Kehler and Susan ...
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( I.i.10-13 ) It has become commonplace to regard the women of Richard III , most of whom are queens , as victims . ... For the recurrent figure in Richard III of a queen whose womb is a “ bed of death ” ( IV.1.53 ) bears an uncanny ...
( I.i.10-13 ) It has become commonplace to regard the women of Richard III , most of whom are queens , as victims . ... For the recurrent figure in Richard III of a queen whose womb is a “ bed of death ” ( IV.1.53 ) bears an uncanny ...
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Grotesquely inverting her role as queen and mother , Margaret's unspeakable act of infanticide , the play suggests , provides the mirror and the motive for all the atrocities that follow . is more likely , his new authority as king .
Grotesquely inverting her role as queen and mother , Margaret's unspeakable act of infanticide , the play suggests , provides the mirror and the motive for all the atrocities that follow . is more likely , his new authority as king .
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Kingship | 1 |
Henry IV 1 and 2 | 72 |
Henry VI 1 2 and 3 | 153 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Просмотр фрагмента - 1984 |
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