Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 39The series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 1 through 10 present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 11-26 focus on the history of Shakespeare's plays on the stage and in important film adaptations. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. Starting with Vol. 57 the series provides general criticism published since 1990 and historical criticism not featured in previous volumes on four to five plays or works per volume. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. |
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Стр. 178
If Henry's moral sensibility is so refined as to be debilitating , it is only York's coarseness that blinds him to the fact that he is a rebel , not a rightful king - though one must admit that he is not quite so crude as his sons ...
If Henry's moral sensibility is so refined as to be debilitating , it is only York's coarseness that blinds him to the fact that he is a rebel , not a rightful king - though one must admit that he is not quite so crude as his sons ...
Стр. 305
Hunt highlights the legal and religious difficulties associated with bastardy in Elizabethan times , and suggests that Richard III involves a comparison of the moral bastard Richard with the physical bastard Richmond ( who became Henry ...
Hunt highlights the legal and religious difficulties associated with bastardy in Elizabethan times , and suggests that Richard III involves a comparison of the moral bastard Richard with the physical bastard Richmond ( who became Henry ...
Стр. 339
The high regard of his own generation for the moral value of worthy exempla is captured in the stanzas that Fame addresses to Fortune in Drayton's Legend of Robert , Duke of Normandy : The villain who would be king discovers what it ...
The high regard of his own generation for the moral value of worthy exempla is captured in the stanzas that Fame addresses to Fortune in Drayton's Legend of Robert , Duke of Normandy : The villain who would be king discovers what it ...
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Kingship | 1 |
Henry IV 1 and 2 | 72 |
Henry VI 1 2 and 3 | 153 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Просмотр фрагмента - 1984 |
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