Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 39The series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 1 through 10 present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 11-26 focus on the history of Shakespeare's plays on the stage and in important film adaptations. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. Starting with Vol. 57 the series provides general criticism published since 1990 and historical criticism not featured in previous volumes on four to five plays or works per volume. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. |
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Стр. 133
The play makes clear that Hotspur is totally unlike the crafty Henry ; indeed , with his volubility and almost ... Hal recognizes that his father is mistaken about Hotspur , and while he does duplicate Henry's tone of admiration for ...
The play makes clear that Hotspur is totally unlike the crafty Henry ; indeed , with his volubility and almost ... Hal recognizes that his father is mistaken about Hotspur , and while he does duplicate Henry's tone of admiration for ...
Стр. 142
Henry , methods that inhibit a familiarity with the man , create an almost unfailingly private man and an always political prince , who — to alter the meaning of Henry's description of himself — is “ Ne'er seen but wond'red at " ( III ...
Henry , methods that inhibit a familiarity with the man , create an almost unfailingly private man and an always political prince , who — to alter the meaning of Henry's description of himself — is “ Ne'er seen but wond'red at " ( III ...
Стр. 182
13 The dialogue between Clifford and Henry continues obliquely in a series of scenes juxtaposed with sharply ironic effect ... atrocities - Henry's longing to isolate himself from such madness cannot help but touch a responsive chord .
13 The dialogue between Clifford and Henry continues obliquely in a series of scenes juxtaposed with sharply ironic effect ... atrocities - Henry's longing to isolate himself from such madness cannot help but touch a responsive chord .
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Kingship | 1 |
Henry IV 1 and 2 | 72 |
Henry VI 1 2 and 3 | 153 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Просмотр фрагмента - 1984 |
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