Likenesses of Truth in Elizabethan and Restoration DramaClarendon Press, 1972 - Всего страниц: 174 |
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... throughout his career , perhaps most delightfully in A Midsummer Night's Dream , and perhaps most profoundly in The Tempest . Throughout The Spanish Tragedy , and very obviously in its climax , Kyd openly calls attention to the ...
... throughout his career , perhaps most delightfully in A Midsummer Night's Dream , and perhaps most profoundly in The Tempest . Throughout The Spanish Tragedy , and very obviously in its climax , Kyd openly calls attention to the ...
Стр. 128
... throughout The Way of the World . And our complicated , sometimes uncertain , responses are the clear result of the play's form and the accurate reflection of its mean- ing , given a world where our responses to people and situations ...
... throughout The Way of the World . And our complicated , sometimes uncertain , responses are the clear result of the play's form and the accurate reflection of its mean- ing , given a world where our responses to people and situations ...
Стр. 130
... throughout their initial encounter , the similarities between the two characters are far more evident than their differences.9 The parallels between Mirabell and Fainall continue into the second act , when each character walks off with ...
... throughout their initial encounter , the similarities between the two characters are far more evident than their differences.9 The parallels between Mirabell and Fainall continue into the second act , when each character walks off with ...
Содержание
some dramatic and critical illusions and realities I | 1 |
theatrical illusions and realities in | 27 |
tragic facts | 51 |
Авторские права | |
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action actor alike Angelica Angelo argues audience behaviour Bellinda Brutus Cassius characters Claudio Collier comic Congreve Congreve's death dilemmas discussion dissembling Dorimant Dorimant's dramatic Duchess Duke Duke's Elizabethan emotional equivocation Etherege Etherege's fact Fainall Fainall's Faustus fools half of Measure Hamlet hero heroine human experience ideal illusions imagination Isabella Jeremy Collier Jonson judgement Julius Caesar justice King Lear Kyd's L. C. Knights Lady literal London Love for Love Loveit Macbeth Malcontent marriage Marston's Measure for Measure mercy Midsummer Night's Dream Millamant Mirabell Mirabell's Mode modern criticism moral moralistic nature never Oberon passion play play's playwright poet point of view Prospero reality religious imagery responses Restoration comedy Revenge Romeo and Juliet says scene seems Shakespeare Shakespeare gives shows social Spanish Tragedy stage Tempest theatre theatrical things tion tragic true truth ultimate Valentine Valentine's vices villain virtue William Congreve words