Likenesses of Truth in Elizabethan and Restoration DramaClarendon Press, 1972 - Всего страниц: 174 |
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Стр. 62
... situation in festering urban ( and suburban ) Vienna . Indeed , the first motive the Duke gives for leaving the city is that the legal and social situation there has got out of his control and he wants somebody else to clean up the mess ...
... situation in festering urban ( and suburban ) Vienna . Indeed , the first motive the Duke gives for leaving the city is that the legal and social situation there has got out of his control and he wants somebody else to clean up the mess ...
Стр. 110
... situations , Congreve's comic situation itself controls Valentine and ( to a lesser degree ) Angelica until the very last scene . Also , in Love for Love their motives for dissembling rather than their success in dissembling finally ...
... situations , Congreve's comic situation itself controls Valentine and ( to a lesser degree ) Angelica until the very last scene . Also , in Love for Love their motives for dissembling rather than their success in dissembling finally ...
Стр. 151
... situation as Brutus , deliberately dares do more than may become a man . The structural similarities between Julius Caesar and Macbeth are obvious . Like Brutus , Macbeth decides to kill a ruler who trusts him , does so , and suffers ...
... situation as Brutus , deliberately dares do more than may become a man . The structural similarities between Julius Caesar and Macbeth are obvious . Like Brutus , Macbeth decides to kill a ruler who trusts him , does so , and suffers ...
Содержание
some dramatic and critical illusions and realities I | 1 |
theatrical illusions and realities in | 27 |
tragic facts | 51 |
Авторские права | |
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Часто встречающиеся слова и выражения
action actor alike Angelica Angelo argues audience behaviour Bellinda Brutus Cassius characters Claudio Collier comic Congreve Congreve's death dilemmas discussion dissembling Dorimant Dorimant's dramatic Duchess Duke Duke's Elizabethan emotional equivocation Etherege Etherege's fact Fainall Fainall's Faustus fools half of Measure Hamlet hero heroine human experience ideal illusions imagination Isabella Jeremy Collier Jonson judgement Julius Caesar justice King Lear Kyd's L. C. Knights Lady literal London Love for Love Loveit Macbeth Malcontent marriage Marston's Measure for Measure mercy Midsummer Night's Dream Millamant Mirabell Mirabell's Mode modern criticism moral moralistic nature never Oberon passion play play's playwright poet point of view Prospero reality religious imagery responses Restoration comedy Revenge Romeo and Juliet says scene seems Shakespeare Shakespeare gives shows social Spanish Tragedy stage Tempest theatre theatrical things tion tragic true truth ultimate Valentine Valentine's vices villain virtue William Congreve words