Likenesses of Truth in Elizabethan and Restoration DramaClarendon Press, 1972 - Всего страниц: 174 |
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Стр. 25
... historical imagination of a twentieth- century scholar . But this possible , imaginary Measure for Measure cannot survive the test of truth put to it by the actual play , by the real Measure for Measure , which has created and does ...
... historical imagination of a twentieth- century scholar . But this possible , imaginary Measure for Measure cannot survive the test of truth put to it by the actual play , by the real Measure for Measure , which has created and does ...
Стр. 144
... historical subject . And so , from the very beginning of Julius Caesar , Shakespeare sets his complex presentation of the characters and events against the back - drop of our absolute cer- tainty concerning the outcome of the action ...
... historical subject . And so , from the very beginning of Julius Caesar , Shakespeare sets his complex presentation of the characters and events against the back - drop of our absolute cer- tainty concerning the outcome of the action ...
Стр. 148
... historical point of view both actions bring about tragic , disastrous consequences . Thus , in spite of the fact that no one in this play is without some just cause for his actions , no one in the play is without responsibility for the ...
... historical point of view both actions bring about tragic , disastrous consequences . Thus , in spite of the fact that no one in this play is without some just cause for his actions , no one in the play is without responsibility for the ...
Содержание
some dramatic and critical illusions and realities I | 1 |
theatrical illusions and realities in | 27 |
tragic facts | 51 |
Авторские права | |
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action actor alike Angelica Angelo argues audience behaviour Bellinda Brutus Cassius characters Claudio Collier comic Congreve Congreve's death dilemmas discussion dissembling Dorimant Dorimant's dramatic Duchess Duke Duke's Elizabethan emotional equivocation Etherege Etherege's fact Fainall Fainall's Faustus fools half of Measure Hamlet hero heroine human experience ideal illusions imagination Isabella Jeremy Collier Jonson judgement Julius Caesar justice King Lear Kyd's L. C. Knights Lady literal London Love for Love Loveit Macbeth Malcontent marriage Marston's Measure for Measure mercy Midsummer Night's Dream Millamant Mirabell Mirabell's Mode modern criticism moral moralistic nature never Oberon passion play play's playwright poet point of view Prospero reality religious imagery responses Restoration comedy Revenge Romeo and Juliet says scene seems Shakespeare Shakespeare gives shows social Spanish Tragedy stage Tempest theatre theatrical things tion tragic true truth ultimate Valentine Valentine's vices villain virtue William Congreve words