Likenesses of Truth in Elizabethan and Restoration DramaClarendon Press, 1972 - Всего страниц: 174 |
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Стр. 55
... force us to experience their dilemmas with them . On a personal and intimate level , which the words of Marco Mincoff both illustrate and describe , the first half of this play gives us ' a man who believes he is more than his fellows ...
... force us to experience their dilemmas with them . On a personal and intimate level , which the words of Marco Mincoff both illustrate and describe , the first half of this play gives us ' a man who believes he is more than his fellows ...
Стр. 74
... forces personal and dramatic diminution on those he protects . It forces the awesome Angelo to lie down in the second - best bed of the faceless Mariana , and it blithely passes this off as the best of all dramatic destinies . At the ...
... forces personal and dramatic diminution on those he protects . It forces the awesome Angelo to lie down in the second - best bed of the faceless Mariana , and it blithely passes this off as the best of all dramatic destinies . At the ...
Стр. 148
... forces that destroy Cinna . Now both the assassination and the inflammatory speech were perfectly justifiable from the individual points of view of Brutus and of Antony , though from a historical point of view both actions bring about ...
... forces that destroy Cinna . Now both the assassination and the inflammatory speech were perfectly justifiable from the individual points of view of Brutus and of Antony , though from a historical point of view both actions bring about ...
Содержание
some dramatic and critical illusions and realities I | 1 |
theatrical illusions and realities in | 27 |
tragic facts | 51 |
Авторские права | |
Не показаны другие разделы: 5
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Часто встречающиеся слова и выражения
action actor alike Angelica Angelo argues audience behaviour Bellinda Brutus Cassius characters Claudio Collier comic Congreve Congreve's death dilemmas discussion dissembling Dorimant Dorimant's dramatic Duchess Duke Duke's Elizabethan emotional equivocation Etherege Etherege's fact Fainall Fainall's Faustus fools half of Measure Hamlet hero heroine human experience ideal illusions imagination Isabella Jeremy Collier Jonson judgement Julius Caesar justice King Lear Kyd's L. C. Knights Lady literal London Love for Love Loveit Macbeth Malcontent marriage Marston's Measure for Measure mercy Midsummer Night's Dream Millamant Mirabell Mirabell's Mode modern criticism moral moralistic nature never Oberon passion play play's playwright poet point of view Prospero reality religious imagery responses Restoration comedy Revenge Romeo and Juliet says scene seems Shakespeare Shakespeare gives shows social Spanish Tragedy stage Tempest theatre theatrical things tion tragic true truth ultimate Valentine Valentine's vices villain virtue William Congreve words