Likenesses of Truth in Elizabethan and Restoration DramaClarendon Press, 1972 - Всего страниц: 174 |
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... characters . In recent years , by far the most fashionable critical perspective on all sorts of characters who appear in seventeenth - century plays - such diverse characters as Isabella , Romeo , Dorimant , and Millamant is the ...
... characters . In recent years , by far the most fashionable critical perspective on all sorts of characters who appear in seventeenth - century plays - such diverse characters as Isabella , Romeo , Dorimant , and Millamant is the ...
Стр. 81
... characters whose behaviour and attitudes shock them , in characters who have the pride , energy , intelligence , cunning , or power to overleap moral fences and to invert traditional values . And certainly playwrights have always ...
... characters whose behaviour and attitudes shock them , in characters who have the pride , energy , intelligence , cunning , or power to overleap moral fences and to invert traditional values . And certainly playwrights have always ...
Стр. 130
... characters are attempting to probe the truth behind the surface of appearance . We can tell that the two characters sound very much alike , and that they each claim to know a lot more about each other than we know . But , for all we ...
... characters are attempting to probe the truth behind the surface of appearance . We can tell that the two characters sound very much alike , and that they each claim to know a lot more about each other than we know . But , for all we ...
Содержание
some dramatic and critical illusions and realities I | 1 |
theatrical illusions and realities in | 27 |
tragic facts | 51 |
Авторские права | |
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action actor alike Angelica Angelo argues audience behaviour Bellinda Brutus Cassius characters Claudio Collier comic Congreve Congreve's death dilemmas discussion dissembling Dorimant Dorimant's dramatic Duchess Duke Duke's Elizabethan emotional equivocation Etherege Etherege's fact Fainall Fainall's Faustus fools half of Measure Hamlet hero heroine human experience ideal illusions imagination Isabella Jeremy Collier Jonson judgement Julius Caesar justice King Lear Kyd's L. C. Knights Lady literal London Love for Love Loveit Macbeth Malcontent marriage Marston's Measure for Measure mercy Midsummer Night's Dream Millamant Mirabell Mirabell's Mode modern criticism moral moralistic nature never Oberon passion play play's playwright poet point of view Prospero reality religious imagery responses Restoration comedy Revenge Romeo and Juliet says scene seems Shakespeare Shakespeare gives shows social Spanish Tragedy stage Tempest theatre theatrical things tion tragic true truth ultimate Valentine Valentine's vices villain virtue William Congreve words