Likenesses of Truth in Elizabethan and Restoration DramaClarendon Press, 1972 - Всего страниц: 174 |
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Стр. 21
... become whatever the needs of the present argument wish them to become , and they can respond to an individual play in whatever way the present critic wishes them to respond . The imposition of modern critical responses upon an imaginary ...
... become whatever the needs of the present argument wish them to become , and they can respond to an individual play in whatever way the present critic wishes them to respond . The imposition of modern critical responses upon an imaginary ...
Стр. 49
... become intellectually entangled in legal and theo- logical pros and cons ; to become emotionally involved with the characters , and thus to evaluate , condemn , and judge them , for good or ill , in passionate , personal terms . When ...
... become intellectually entangled in legal and theo- logical pros and cons ; to become emotionally involved with the characters , and thus to evaluate , condemn , and judge them , for good or ill , in passionate , personal terms . When ...
Стр. 60
... become part of the spectator's memory , part of his personal experience , part of his own private past . And , in the words of Milton , Past who can recall , or done undo ? Not God Omnipotent , nor Fate ! Not even Shakespeare . For ...
... become part of the spectator's memory , part of his personal experience , part of his own private past . And , in the words of Milton , Past who can recall , or done undo ? Not God Omnipotent , nor Fate ! Not even Shakespeare . For ...
Содержание
some dramatic and critical illusions and realities I | 1 |
theatrical illusions and realities in | 27 |
tragic facts | 51 |
Авторские права | |
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Часто встречающиеся слова и выражения
action actor alike Angelica Angelo argues audience behaviour Bellinda Brutus Cassius characters Claudio Collier comic Congreve Congreve's death dilemmas discussion dissembling Dorimant Dorimant's dramatic Duchess Duke Duke's Elizabethan emotional equivocation Etherege Etherege's fact Fainall Fainall's Faustus fools half of Measure Hamlet hero heroine human experience ideal illusions imagination Isabella Jeremy Collier Jonson judgement Julius Caesar justice King Lear Kyd's L. C. Knights Lady literal London Love for Love Loveit Macbeth Malcontent marriage Marston's Measure for Measure mercy Midsummer Night's Dream Millamant Mirabell Mirabell's Mode modern criticism moral moralistic nature never Oberon passion play play's playwright poet point of view Prospero reality religious imagery responses Restoration comedy Revenge Romeo and Juliet says scene seems Shakespeare Shakespeare gives shows social Spanish Tragedy stage Tempest theatre theatrical things tion tragic true truth ultimate Valentine Valentine's vices villain virtue William Congreve words