And woman, more than man, when death or woe, Earth-sea alike—our world within our arms! This hour bestows, or ever bars escape. Few words remain of mine my tale to close; Of thine but one to waft us from our foes: Yea-foes-to me will Giaffir's hate decline? And is not Osman, who would part us, thine? XXI. 'His head and faith from doubt and death No deed they've done, nor deed shall do, But yet, though thou art plighted mine, XXII. Zuleika, mute and motionless, Stood like that statue of distress, When, her last hope for ever gone, The mother harden'd into stone; All in the maid that eye could see Was but a younger Niobe. But ere her lip, or even her eye, 'Oh! fly-no more-yet now my more than brother!' Far, wide, through every thicket spread, XXIII. Dauntless he stood--''Tis come-soon pastOne kiss, Zuleika-'tis my last : But yet my band not far from shore Yet now too few-the attempt were rash: Forth to the cavern mouth he stept; Despair benumb'd her breast and eye!- That sound hath drawn my foes more nigh Then forth my father's scimitar, Thou ne'er hast seen less equal war! Farewell, Zuleika !-Sweet! retire; Yet stay within-here linger safe, At thee his rage will only chafe. Stir not-lest even to thee perchance Some erring blade or ball should glance. Fear'st thou for him?-may I expire If in this strife I seek thy sire! No-though by him that poison pour'd, No-though again he call me coward! But tamely shall I meet their steel? No-as each crest save his may feel !' XXIV. One bound he made, and gain'd the sand. The foremost of the prying band, A gasping head, a quivering trunk: And almost met the meeting wave: They come 'tis but to add to slaughterHis heart's best blood is on the water! XXV. Escaped from shot, unharm'd by steel, For her his eye but sought in vain? Hath doom'd his death, or fix'd his chain. Sad proof, in peril and in pain, How late will Lover's hope remain ! Fast from his breast the blood is bubbling, XXVI. Morn slowly rolls the clouds away: Few trophies of the fight are there : The shouts that shook the midnight-bay Are silent; but some signs of fray That strand of strife may bear. And fragments of each shiver'd brand; Steps stamp'd; and dash'd into the sand The print of many a struggling hand May there be mark'd; nor far remote Tis rent in twain-one dark-red stain His head heaves with the heaving billow; What recks it, though that corse shall lie By Helle's stream there is a voice of wail! Thy destined lord is come too late : The loud Wul-wulleh warn his distant ear? + Thy handmaids weeping at the gate, The Koran-chanters of the hymn of fate, The silent slaves with folded arms that wait, Sighs in the hall, and shrieks upon the gale, Tell him thy tale! Thou didst not view thy Selim fall! That fearful moment when he left the cave Thy heart grew chill: He was thy hope-thy joy-thy love-thine allAnd that last thought on him thou couldst not save Sufficed to kill; Burst forth in one wild cry-and all was still. Thrice happy! ne'er to feel nor fear the force Of absence, shame, pride, hate, revenge, remorse! [lies! And, oh! that pang where more than madness The worm that will not sleep-and never dies; Thought of the gloomy day and ghastly night,. That dreads the darkness, and yet loathes the light, heart! That winds around, and tears the quivering Ah, wherefore not consume it-and depart ! Woe to thee, rash and unrelenting chief! Vainly thou heap'st the dust upon thy head, Vainly the sackcloth o'er thy limbs doth spread; By that same hand Abdallah-Selim-bled. Now let it tear thy beard in idle grief: Thy pride of heart, thy bride for Osman's bed, She, whom thy sultan had but seen to wed, Thy Daughter's dead! Hope of thine age, thy twilight's lonely beam, The Star bath set that shone on Helle's stream. What quench'd its ray?-the blood that thou hast shed! Hark! to the hurried question of Despair: A turban is carved in stone above the graves of men only. The death-song of the Turkish women. The silent slaves are the men, whose notions of decorum forbid complaint in public. 'I came to the place of my birth, and cried, "The friends of my youth, where are they?" and an Echo answered, "Where are they?"-From an Arabic MS. The above quotation (from which the idea in the text is XXVIII. They scarce can bear the morn to break That melancholy spell, Within the place of thousand tombs And withers not, though branch and leaf Are stamp'd with an eternal grief, Like early unrequited Love, Its lonely lustre, meek and pale: So white-so faint-the slightest gale Might whirl the leaves on high; And yet, though storms and blight assail, And hands more rude than wintry sky May wring it from the stem-in vain- For well may maids of Helle deem Nor droops, though Spring refuse her shower, To it the livelong night there sings But soft as harp that Houri strings It were the Bulbul; but his throat, Though mournful, pours not such a strain : For they who listen cannot leave The spot, but linger there and grieve, And yet so sweet the tears they shed, taken) must be already familiar to every reader-it is given in the first annotation, p. 67, of The Pleasures of Memory; a poem so well known as to render a reference almost superfluous, but to whose pages all will be delighted to recur. And longer yet would weep and wake, But when the day-blush bursts from high, And some have been who could believe, 'Tis from her cypress' summit heard, And airy tongues that syllable men's names.'-MIIT For a belief that the souls of the dead inhalat the for birds, we need not travel to the East. Lord Lyttelton story, the belief of the Duchess of Kendal that George L into her window in the shape of a raven (see Orford's & niscences), and many other instances, bring this superso nearer home. The most singular was the whim of a Worce lady, who, believing her daughter to exist in the shape singing bird, literally furnished her pew in the cathedre cages full of the kind; and as she was rich, and a besefer in beautifying the church, no objection was made to her less folly. For this anecdote, see Orford's Letters. THE CORSAIR. 1814. I suoi pensieri in lui dormir non ponno." TASSO, Gerusalemme Liberata, Canto x. MY DEAR MOORE, TO THOMAS MOORE, ESQ. I DEDICATE to you the last production with which I shall trespass on public patience, and your indulgence, for some years; and I own that I feel anxious to avail myself of this latest and only opportunity of adorning my pages with a name consecrated by unshaken public principle, and the most undoubted and various talents. While Ireland ranks you among the firmest of her patriots; while you stand alone the first of her bards in her estimation, and Britain repeats and ratifies the decree, permit one whose only regret, since our first acquaintance, has been the years he had lost before it commenced, to add the humble but sincere suffrage of friendship to the voice of more than one nation. It will at least prove to you that I have neither forgotten the gratification derived from your society, nor abandoned the prospect of its renewal, whenever your leisure or inclination allows you to atone to your friends for too long an absence. It is said among those friends, I trust truly, that you are engaged in the composition of a poem whose scene will be laid in the East; none can do those scenes so much justice. The wrongs of your own country, the magnificent and fiery spirit of her sons, the beauty and feeling of her daughters, may there be found; and Collins, when he denominated his Oriental his Irish Eclogues, was not aware how Te, at least, was a part of his parallel. Your imagination will create a warmer sun, and less clouded sky; but wildness, tenderness, and originality are part of your national claim of Oriental descent, to which you have already thus far proved your title more clearly than the most zealous of your country's antiquarians. May I add a few words on a subject on which all men are supposed to be fluent, and none Agreeable?-Self. I have written much, and published more than enough to demand a longer ence than I now meditate; but, for some years to come, it is my intention to tempt no further he award of 'gods, men, nor columns.' In the present composition I have attempted not the st difficult, but perhaps the best adapted measure to our language, the good old and now negested heroic couplet. The stanza of Spenser is perhaps too slow and dignified for narrative; dough, I confess, it is the measure most after my own heart. Scott alone, of the present generacon, has hitherto completely triumphed over the fatal facility of the octo-syllabic verse; and this not the least victory of his fertile and mighty genius. In blank verse, Milton, Thomson, and dramatists, are the beacons that shine along the deep, but warn us from the rough and barren rock on which they are kindled. The heroic couplet is not the most popular measure, ertainly; but as I did not deviate into the other from a wish to flatter what is called public tition, I shall quit it without further apology, and take my chance once more with that versifican in which I have hitherto published nothing but compositions whose former circulation is part of my present, and will be of my future regret. Be it so. With regard to my story, and stories in general, I should have been glad to have rendered my ersonages more perfect and amiable, if possible, inasmuch as I have been sometimes criticized, nd considered no less responsible for their deeds and qualities than if all had been personal. If I have deviated into the gloomy vanity of 'drawing from self,' the pictures are probly like, since they are unfavourable; and if not, those who know me are undeceived, and those who do not, I have little interest in undeceiving. I have no particular desire that any but my paintance should think the author better than the beings of his imagining; but I cannot help tle surprise, and perhaps amusement, at some odd critical exceptions in the present instance, en I see several bards (far more deserving, I allow) in very reputable plight, and quite exempted Tall participation in the faults of those heroes, who, nevertheless, might be found with little re morality than 'The Giaour,' and perhaps--but no-I must admit Childe Harold to be a ry repulsive personage; and as to his identity, those who like it must give him whatever alias ry please. If, however, it were worth while to remove the impression, it might be of some service to me, that the man who is alike the delight of his readers and his friends, the poet of all circles, and the idol of his own, permits me here and elsewhere to subscribe myself, Most truly and affectionately, His obedient servant, January 2, 1814. BYRON. CANTO THE FIRST. nessun maggior dolore, Che ricordarsi del tempo felice I. 'O'ER the glad waters of the dark-blue sea, * -DANTE. And cry, Remembrance saddening o'er each brow, Our thoughts as boundless, and our souls as free, How had the brave who fell exulted now!' Far as the breeze can bear, the billows foam, II. Around the kindling watch-fire rang the while: along, These are our realms, no limits to their sway-Such were the notes that from the Pirate's isle, Oh, who can tell, save he whose heart hath tried, And where the feebler faint can only feel- And unto ears as rugged seem'd a song! Select the arms-to each his blade assign, No dread of death if with us die our foes- Ours-the fresh turf, and not the feverish bed. His corse may boast its urn and narrow cave, The time in this poem may seem too short for the occur. rences, but the whole of the Agean isles are within a few hours' sail of the continent, and the reader must be kind enough to take the wind as I have often found it. Few are his words, but keen his eye and hand. roots, And scarce the summer luxury of fruits, Now form and follow me!'-the spoil is won |