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And woman, more than man, when death or woe,
Or even Disgrace, would lay her lover low,
Sunk in the lap of Luxury will shame-
Away suspicion !-not Zuleika's name!
But life is hazard at the best; and here
No more remains to win and much to fear.
Yes, fear! the doubt, the dread of losing thee,
By Osman's power, and Giaffir's stern decree."
That dread shall vanish with the favouring gale,
Which Love to-night hath promised to my sail :
No danger daunts the pair his smile hath blest,
Their steps still roving, but their hearts at rest.
With thee all toils are sweet, each clime hath
charms;

Earth-sea alike—our world within our arms!
Ay-let the loud winds whistle o'er the deck,
So that those arms cling closer round my neck;
The deepest murmur of this lip shall be,
No sigh for safety, but a prayer for thee!
The war of elements no fears impart
To Love, whose deadliest bane is human Art:
There lie the only rocks our course can check ;
Here moments menace-there are years of wreck!
But hence ye thoughts that rise in Horror's
shape!

This hour bestows, or ever bars escape.

Few words remain of mine my tale to close; Of thine but one to waft us from our foes: Yea-foes-to me will Giaffir's hate decline? And is not Osman, who would part us, thine?

XXI.

'His head and faith from doubt and death
Return'd in time my guard to save;
Few heard, none told, that o'er the wave
From isle to isle I roved the while :
And since, though parted from my band
Too seldom now I leave the land,

No deed they've done, nor deed shall do,
Ere I have heard and doom'd it too:
I form the plan, decree the spoil,
'Tis fit I oftener share the toil.
But now too long I've held thine ear;
Time presses, floats my bark, and here
We leave behind but hate and fear.
To-morrow Osman with his train
Arrives-to-night must break thy chain:
And wouldst thou save that haughty Bey,-
Perchance his life who gave thee thine,-
With me this hour away-away!

But yet, though thou art plighted mine,
Wouldst thou recall thy willing vow,
Appall'd by truths imparted now,
Here rest I-not to see thee wed:
But be that peril on my head!'

XXII.

Zuleika, mute and motionless, Stood like that statue of distress, When, her last hope for ever gone, The mother harden'd into stone; All in the maid that eye could see Was but a younger Niobe.

But ere her lip, or even her eye,
Essay'd to speak, or look reply,
Beneath the garden's wicket porch
Far flash'd on high a blazing torch!
Another-and another-and another-

'Oh! fly-no more-yet now my more than brother!'

Far, wide, through every thicket spread,
The fearful lights are gleaming red;
Nor these alone-for each right hand
Is ready with a sheathless brand.
They part, pursue, return, and wheel
With searching flambeau, shining steel;
And last of all, his sabre waving,
Stern Giaffir in his fury raving:
And now almost they touch the cave-
Oh! must that grot be Selim's grave?

XXIII.

Dauntless he stood--''Tis come-soon pastOne kiss, Zuleika-'tis my last :

But yet my band not far from shore
May hear this signal, see the flash ;

Yet now too few-the attempt were rash:
No matter-yet one effort more.'

Forth to the cavern mouth he stept;
His pistol's echo rang on high,
Zuleika started not, nor wept,

Despair benumb'd her breast and eye!-
'They hear me not, or if they ply
Their oars, 'tis but to see me die;

That sound hath drawn my foes more nigh Then forth my father's scimitar, Thou ne'er hast seen less equal war! Farewell, Zuleika !-Sweet! retire; Yet stay within-here linger safe, At thee his rage will only chafe. Stir not-lest even to thee perchance Some erring blade or ball should glance. Fear'st thou for him?-may I expire If in this strife I seek thy sire! No-though by him that poison pour'd, No-though again he call me coward! But tamely shall I meet their steel? No-as each crest save his may feel !'

XXIV.

One bound he made, and gain'd the sand.
Already at his feet hath sunk

The foremost of the prying band,

A gasping head, a quivering trunk:
Another falls-but round him close
A swarming circle of his foes;
From right to left his path he cleft,

And almost met the meeting wave:
His boat appears-not five oars' length-
His comrades strain with desperate strength-
Oh! are they yet in time to save?
His feet the foremost breakers lave;
His band are plunging in the bay,
Their sabres glitter through the spray;
Wet-wild-unwearied to the strand
They struggle-now they touch the land!

They come 'tis but to add to slaughterHis heart's best blood is on the water!

XXV.

Escaped from shot, unharm'd by steel,
Or scarcely grazed its force to feel,
Had Selim won, betray'd, beset,
To where the strand and billows met:
There as his last step left the land-
And the last death-blow dealt his hand-
Ah! wherefore did he turn to look

For her his eye but sought in vain?
That pause, that fatal gaze he took,

Hath doom'd his death, or fix'd his chain. Sad proof, in peril and in pain,

How late will Lover's hope remain !
His back was to the dashing spray;
Behind, but close, his comrades lay,
When at the instant hiss'd the ball-
'So may the foes of Giaffir fall!'
Whose voice is heard? whose carbine rang?
Whose bullet through the night-air sang,
Too nearly, deadly aim'd to err?
"Tis thine-Abdallah's Murderer !
The father slowly rued thy hate,
The son hath found a quicker fate:

Fast from his breast the blood is bubbling,
The whiteness of the sea-foam troubling-
If aught his lips essay'd to groan,
The rushing billows choked the tone!

XXVI.

Morn slowly rolls the clouds away:

Few trophies of the fight are there : The shouts that shook the midnight-bay Are silent; but some signs of fray

That strand of strife may bear. And fragments of each shiver'd brand; Steps stamp'd; and dash'd into the sand The print of many a struggling hand

May there be mark'd; nor far remote
A broken torch, an oarless boat;
And tangled on the weeds that heap
The beach where shelving to the deep
There lies a white capote !

Tis rent in twain-one dark-red stain
The wave yet ripples o'er in vain :
But where is he who wore?
Ye! who would o'er his relics weep,
Go, seek them where the surges sweep
Their burthen round Sigæum's steep,
And cast on Lemnos' shore:
The sea-birds shriek above the prey,
O'er which their hungry beaks delay,
As shaken on his restless pillow,

His head heaves with the heaving billow;
That hand, whose motion is not life,
Yet feebly seems to menace strife,
Flung by the tossing tide on high,
Then levell'd with the wave-

What recks it, though that corse shall lie
Within a living grave?
The bird that tears that prostrate form
Hath only robb'd the meaner worm;

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By Helle's stream there is a voice of wail!
And woman's eye is wet-man's cheek is pale ·
Zuleika! last of Giaffir's race,

Thy destined lord is come too late :
He sees not-ne'er shall see thy face!
Can he not hear

The loud Wul-wulleh warn his distant ear? + Thy handmaids weeping at the gate,

The Koran-chanters of the hymn of fate, The silent slaves with folded arms that wait, Sighs in the hall, and shrieks upon the gale, Tell him thy tale!

Thou didst not view thy Selim fall!

That fearful moment when he left the cave Thy heart grew chill:

He was thy hope-thy joy-thy love-thine allAnd that last thought on him thou couldst not

save

Sufficed to kill;

Burst forth in one wild cry-and all was still.
Peace to thy broken heart, and virgin grave!
Ah, happy! but of life to lose the worst!
That grief-though deep-though fatal-was
thy first!

Thrice happy! ne'er to feel nor fear the force Of absence, shame, pride, hate, revenge, remorse!

[lies!

And, oh! that pang where more than madness The worm that will not sleep-and never dies; Thought of the gloomy day and ghastly night,. That dreads the darkness, and yet loathes the light, heart!

That winds around, and tears the quivering Ah, wherefore not consume it-and depart ! Woe to thee, rash and unrelenting chief!

Vainly thou heap'st the dust upon thy head, Vainly the sackcloth o'er thy limbs doth spread; By that same hand Abdallah-Selim-bled. Now let it tear thy beard in idle grief: Thy pride of heart, thy bride for Osman's bed, She, whom thy sultan had but seen to wed, Thy Daughter's dead!

Hope of thine age, thy twilight's lonely beam, The Star bath set that shone on Helle's stream. What quench'd its ray?-the blood that thou hast shed!

Hark! to the hurried question of Despair:
'Where is my child?'- - an Echo answers
'Where?' +

A turban is carved in stone above the graves of men only. The death-song of the Turkish women. The silent slaves are the men, whose notions of decorum forbid complaint in public.

'I came to the place of my birth, and cried, "The friends of my youth, where are they?" and an Echo answered, "Where are they?"-From an Arabic MS.

The above quotation (from which the idea in the text is

XXVIII.

They scarce can bear the morn to break That melancholy spell,

Within the place of thousand tombs
That shine beneath, while dark above
The sad but living cypress glooms

And withers not, though branch and leaf Are stamp'd with an eternal grief,

Like early unrequited Love,
One spot exists, which ever blooms,
Ev'n in that deadly grove-
A single rose is shedding there

Its lonely lustre, meek and pale:
It looks as planted by Despair-

So white-so faint-the slightest gale Might whirl the leaves on high;

And yet, though storms and blight assail, And hands more rude than wintry sky

May wring it from the stem-in vain-
To-morrow sees it bloom again :
The stalk some spirit gently rears,
And waters with celestial tears;

For well may maids of Helle deem
That this can be no earthly flower,
Which mocks the tempest's withering hour,
And buds unshelter'd by a bower;

Nor droops, though Spring refuse her shower,
Nor woos the summer beam :

To it the livelong night there sings
A bird unseen-but not remote :
Invisible his airy wings,

But soft as harp that Houri strings
His long entrancing note!

It were the Bulbul; but his throat,

Though mournful, pours not such a strain : For they who listen cannot leave

The spot, but linger there and grieve,
As if they loved in vain!

And yet so sweet the tears they shed,
'Tis sorrow so unmix'd with dread,

taken) must be already familiar to every reader-it is given in the first annotation, p. 67, of The Pleasures of Memory; a poem so well known as to render a reference almost superfluous, but to whose pages all will be delighted to recur.

And longer yet would weep and wake,
He sings so wild and well!

But when the day-blush bursts from high,
Expires that magic melody.

And some have been who could believe,
(So fondly youthful dreams deceive,
Yet harsh be they that blame,)
That note so piercing and profound
Will shape and syllable its sound
Into Zuleika's name.*

'Tis from her cypress' summit heard,
That melts in air the liquid word;
'Tis from her lowly virgin earth
That white rose takes its tender birth.
There late was laid a marble stone;
Eve saw it placed-the Morrow gone!
It was no mortal arm that bore
That deep-fix'd pillar to the shore;
For there, as Helle's legends tell,
Next morn 'twas found where Selim fell,
Lash'd by the tumbling tide, whose wave
Denied his bones a holier grave;
And there by night, reclined, 'tis said,
Is seen a ghastly turban'd head:
And hence extended by the billow,
'Tis named the 'Pirate-phantom's pillow!'
Where first it lay, that mourning flower
Hath flourish'd; flourisheth this hour,
Alone and dewy, coldly pure and pale;
As weeping Beauty's cheek at Sorrow's tale.

And airy tongues that syllable men's names.'-MIIT For a belief that the souls of the dead inhalat the for birds, we need not travel to the East. Lord Lyttelton story, the belief of the Duchess of Kendal that George L into her window in the shape of a raven (see Orford's & niscences), and many other instances, bring this superso nearer home. The most singular was the whim of a Worce lady, who, believing her daughter to exist in the shape singing bird, literally furnished her pew in the cathedre cages full of the kind; and as she was rich, and a besefer in beautifying the church, no objection was made to her less folly. For this anecdote, see Orford's Letters.

THE CORSAIR.

1814.

I suoi pensieri in lui dormir non ponno."

TASSO, Gerusalemme Liberata, Canto x.

MY DEAR MOORE,

TO THOMAS MOORE, ESQ.

I DEDICATE to you the last production with which I shall trespass on public patience, and your indulgence, for some years; and I own that I feel anxious to avail myself of this latest and only opportunity of adorning my pages with a name consecrated by unshaken public principle, and the most undoubted and various talents. While Ireland ranks you among the firmest of her patriots; while you stand alone the first of her bards in her estimation, and Britain repeats and ratifies the decree, permit one whose only regret, since our first acquaintance, has been the years he had lost before it commenced, to add the humble but sincere suffrage of friendship to the voice of more than one nation. It will at least prove to you that I have neither forgotten the gratification derived from your society, nor abandoned the prospect of its renewal, whenever your leisure or inclination allows you to atone to your friends for too long an absence. It is said among those friends, I trust truly, that you are engaged in the composition of a poem whose scene will be laid in the East; none can do those scenes so much justice. The wrongs of your own country, the magnificent and fiery spirit of her sons, the beauty and feeling of her daughters, may there be found; and Collins, when he denominated his Oriental his Irish Eclogues, was not aware how Te, at least, was a part of his parallel. Your imagination will create a warmer sun, and less clouded sky; but wildness, tenderness, and originality are part of your national claim of Oriental descent, to which you have already thus far proved your title more clearly than the most zealous of your country's antiquarians.

May I add a few words on a subject on which all men are supposed to be fluent, and none Agreeable?-Self. I have written much, and published more than enough to demand a longer ence than I now meditate; but, for some years to come, it is my intention to tempt no further he award of 'gods, men, nor columns.' In the present composition I have attempted not the st difficult, but perhaps the best adapted measure to our language, the good old and now negested heroic couplet. The stanza of Spenser is perhaps too slow and dignified for narrative; dough, I confess, it is the measure most after my own heart. Scott alone, of the present generacon, has hitherto completely triumphed over the fatal facility of the octo-syllabic verse; and this not the least victory of his fertile and mighty genius. In blank verse, Milton, Thomson, and dramatists, are the beacons that shine along the deep, but warn us from the rough and barren rock on which they are kindled. The heroic couplet is not the most popular measure, ertainly; but as I did not deviate into the other from a wish to flatter what is called public tition, I shall quit it without further apology, and take my chance once more with that versifican in which I have hitherto published nothing but compositions whose former circulation is part of my present, and will be of my future regret.

Be it so.

With regard to my story, and stories in general, I should have been glad to have rendered my ersonages more perfect and amiable, if possible, inasmuch as I have been sometimes criticized, nd considered no less responsible for their deeds and qualities than if all had been personal. If I have deviated into the gloomy vanity of 'drawing from self,' the pictures are probly like, since they are unfavourable; and if not, those who know me are undeceived, and those who do not, I have little interest in undeceiving. I have no particular desire that any but my paintance should think the author better than the beings of his imagining; but I cannot help tle surprise, and perhaps amusement, at some odd critical exceptions in the present instance, en I see several bards (far more deserving, I allow) in very reputable plight, and quite exempted Tall participation in the faults of those heroes, who, nevertheless, might be found with little re morality than 'The Giaour,' and perhaps--but no-I must admit Childe Harold to be a ry repulsive personage; and as to his identity, those who like it must give him whatever alias ry please.

If, however, it were worth while to remove the impression, it might be of some service to me, that the man who is alike the delight of his readers and his friends, the poet of all circles, and the idol of his own, permits me here and elsewhere to subscribe myself, Most truly and affectionately, His obedient servant,

January 2, 1814.

BYRON.

CANTO THE FIRST.

nessun maggior dolore,

Che ricordarsi del tempo felice
Nella miseria,

I.

'O'ER the glad waters of the dark-blue sea,

*

-DANTE.

And cry, Remembrance saddening o'er each brow,

Our thoughts as boundless, and our souls as free, How had the brave who fell exulted now!'

Far as the breeze can bear, the billows foam,
Survey our empire, and behold our home!

II.

Around the kindling watch-fire rang the while:
Such were the sounds that thrill'd the rocks

along,

These are our realms, no limits to their sway-Such were the notes that from the Pirate's isle,
Our flag the sceptre all who meet obey.
Ours the wild life in tumult still to range
From toil to rest, and joy in every change.
Oh, who can tell? not thou, luxurious slave!
Whose soul would sicken o'er the heaving wave;
Not thou, vain lord of wantonness and ease!
Whom slumber soothes not-pleasure cannot
please-

Oh, who can tell, save he whose heart hath tried,
And danced in triumph o'er the waters wide,
The exulting sense-the pulse's maddening play,
That thrills the wanderer of that trackless way?
That for itself can woo the approaching fight,
And turn what some deem danger to delight;
That seeks what cravens shun with more than
zeal,

And where the feebler faint can only feel-
Feel to the rising bosom's inmost core,
Its hope awaken and its spirit soar?

And unto ears as rugged seem'd a song!
In scatter'd groups upon the golden sand,
They game-carouse-converse-or whet the
brand

Select the arms-to each his blade assign,
And careless eye the blood that dims its shine;
Repair the boat, replace the helm or oar,
While others straggling muse along the shore;
For the wild bird the busy springes set,
Or spread beneath the sun the dripping net;
Gaze where some distant sail a speck supplies,
With all the thirsting eye of Enterprise;
Tell o'er the tales of many a night of toil,
And marvel where they next shall seize a spot:
No matter where-their chiefs allotment this;
Theirs, to believe no prey nor plan amiss.
But who that CHIEF? his name on every shore
Is famed and fear'd-they ask and know no more.

No dread of death if with us die our foes-
Save that it seems even duller than repose :
Come when it will-we snatch the life of life-With these he mingles not but to command;
When lost-what recks it but disease or strife?
Let him who crawls enamour'd of decay,
Cling to his couch, and sicken years away;
Heave his thick breath, and shake his palsied
head;

Ours-the fresh turf, and not the feverish bed.
While gasp by gasp he falters forth his soul,
Ours with one pang-one bound-escapes con-
trol.

His corse may boast its urn and narrow cave,
And they who loathed his life may gild his grave:
Ours are the tears, though few, sincerely shed,
When Ocean shrouds and sepulchres our dead.
For us, even banquets fond regret supply
In the red cup that crowns our memory;
And the brief epitaph in danger's day,
When those who win at length divide the prey,

The time in this poem may seem too short for the occur. rences, but the whole of the Agean isles are within a few hours' sail of the continent, and the reader must be kind enough to take the wind as I have often found it.

Few are his words, but keen his eye and hand.
Ne'er seasons he with mirth their jovial mess.
But they forgive his silence for success.
Ne'er for his lip the purpling cup they fill,
That goblet passes him untasted still-
And for his fare-the rudest of his crew
Would that, in turn, have pass'd untasted to:
Earth's coarsest bread, the garden's homeäest

roots,

And scarce the summer luxury of fruits,
His short repast in humbleness supply
With all a hermit's board would scarce deny.
But while he shuns the grosser joys of sense,
His mind seems nourish'd by that abstinence.
'Steer to that shore!'-they sail. Do this
-tis done!

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Now form and follow me!'-the spoil is won
Thus prompt his accents and his actions stil
And all obey and few inquire his will;
To such, brief answer and contemptuous eye
Convey reproof, nor further deign reply.

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