Unpublished Shaw

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Penn State Press, 1996 - Всего страниц: 248

SHAW 16 contains twenty-nine unpublished pieces by Shaw written between 1877 and 1950. The most significant is a ten-page draft synopsis of Man and Superman (the original manuscript draft of the play has been lost) in a contemplated five-act version, providing scholars with a hitherto unavailable ur-text. Equally important for the biographical and artistic insights they offer are the early literary efforts found in Shaw's first opus notebook, including an extended narrative-verse fragment of 1877 set in Dublin; a polemic (his first) on oakum picking and prison conditions; a criticism of organists and orchestral conductors; and an attempted evaluation of contemporary arts and letters in 1878.

We find Shaw, through the persona of a female narrator, creating in his own image a fictional memoir of the young Hector Berlioz; offering an ironic vindication of housebreakers (in anticipation of Heartbreak House); exploring the seamy side of the prizefight ring; examining "exhausted" genres of Victorian art in 1880; defining the "true signification of the term Gentleman"; lecturing on Socialism and the family and on realism as the goal of fiction; and penetratingly considering the future of marriage in a rejected book review, one of four included in the volume.

The dimensions of Shaw's political views may be examined through nearly a dozen commentaries on politics and on war and peace, ranging from the Boer War (an 1899 draft letter to the press, "Why Not Abolish the Soldier?") and 1903 municipal elections to U.S. Liberty Loans, the Italo-Abyssinian War, "how to talk intelligently" about the Second World War, and the implications of the hydrogen bomb in the nuclear age. For good measure, the volume concludes with two brief playlets, previously unrecorded.

The editors have arranged these pieces individually or grouped by theme and genre as near to chronological order as possible, and the reader is brought closer to the original manuscripts by the retention of Shaw's stylistic and spelling inconsistencies, and by transliteration of the shorthand notations he frequently inserted between lines or in the margins. Each text is supplemented by an editorial note providing its provenance and a detailed physical description of the manuscript.

 

Содержание

IN FYTTES AND STARTS
7
APPROACHING THE CHALLENGE
17
LAYING DOWN THE LAW
35
SHAWS TRUE GENTLEMAN
59
AN AFFINITY
67
A SPRINGCLEANING FOR THE ARTS
89
ENTER THE LITERARY CRITIC
99
ON POLITICS
125
SHAW FAMILY VALUES
145
SHAW AND THE SEAMY SIDE OF THE RING
155
ON WAR AND PEACE
165
GUSTS GALUMPHS
195
GUIDED TOUR THROUGH HEARTBREAK HOUSE
223
SOCIALIST AND DRAMATIST
229
CONTRIBUTORS
247
Авторские права

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Стр. 234 - This is the true joy in life, the being used for a purpose recognized by yourself as a mighty one; the being thoroughly worn out before you are thrown on the scrap heap; the being a force of Nature instead of a feverish selfish little clod of ailments and grievances complaining that the world will not devote itself to making you happy.

Об авторе (1996)

Renowned literary genius George Bernard Shaw was born on July 26, 1856 in Dublin, Ireland. He later moved to London and educated himself at the British Museum while several of his novels were published in small socialist magazines. Shaw later became a music critic for the Star and for the World. He was a drama critic for the Saturday Review and later began to have some of his early plays produced. Shaw wrote the plays Man and Superman, Major Barbara, and Pygmalion, which was later adapted as My Fair Lady in both the musical and film form. He also transformed his works into screenplays for Saint Joan, How He Lied to Her Husband, Arms and the Man, Pygmalion, and Major Barbara. Shaw won the Nobel Prize for Literature in 1925. George Bernard Shaw died on November 2, 1950 at Ayot St. Lawrence, Hertfordshire, England.

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