In Defiance of Painting: Cubism, Futurism, and the Invention of CollageYale University Press, 1 янв. 1992 г. - Всего страниц: 312 The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange. |
Содержание
Table | 58 |
Conception and Vision in | 90 |
Cubist Collage the Public | 124 |
Destroying the Cult of | 164 |
From Words | 194 |
Futurist Collage and Parole | 228 |
Collage and the Modernist | 252 |
Другие издания - Просмотреть все
In Defiance of Painting: Cubism, Futurism, and the Invention of Collage Christine Poggi Недоступно для просмотра - 1992 |
Часто встречающиеся слова и выражения
aesthetic Apollinaire Apollonio Ardengo Soffici artists avant-garde Balla Boccioni Bottle Braque's calligrammes canvas Carlo Carrà Carrà casso Chair-Caning charcoal on paper collage collage elements color conception contemporary critics Cubist culture d'Art decorative dynamic early Éditions expressive F. T. Marinetti faux bois formal fragments frame France Futurismo Futurist Manifestos Galerie Georges Braque Giacomo Balla Glass Grebo mask Gris's Guitar Ibid images imitation invention of collage Italian Juan Gris Kahn Kahnweiler l'art Lacerba letters Mallarmé Marinetti materials Matisse means ment Milan Modern Musée Picasso Museum newspaper objects Oeuvres Pablo Picasso painter painting papiers collés Papini Paris parole in libertà pasted papers peinture Picasso and Braque Picasso's collages pictorial picture plane poet poetic poetry qu'il reality relation representation Salon sculpture Section d'Or Severini signify signs structure suggest surface Symbolist techniques theory tion traditional trompe l'oeil unity viewer Violin visual wallpaper wood grain words York Zang Tumb Tumb
Ссылки на эту книгу
The Revolution in the Visual Arts and the Poetry of William Carlos Williams Peter Halter Ограниченный просмотр - 1994 |
The Culture of Fragments: Word and Images in Futurism and Surrealism Clara Elizabeth Orban Ограниченный просмотр - 1997 |