In Defiance of Painting: Cubism, Futurism, and the Invention of Collage

Передняя обложка
Yale University Press, 1 янв. 1992 г. - Всего страниц: 312
The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.
 

Отзывы - Написать отзыв

Не удалось найти ни одного отзыва.

Содержание

Selected Bibliography 292
29
3
58
4
90
5
124

Другие издания - Просмотреть все

Часто встречающиеся слова и выражения

Библиографические данные