In Defiance of Painting: Cubism, Futurism, and the Invention of CollageThe invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange. |
Отзывы - Написать отзыв
Не удалось найти ни одного отзыва.
Содержание
Table | 58 |
Conception and Vision in | 90 |
Cubist Collage the Public | 124 |
Destroying the Cult of | 164 |
From Words | 194 |
Futurist Collage and Parole | 228 |
Collage and the Modernist | 252 |
Другие издания - Просмотреть все
In Defiance of Painting: Cubism, Futurism, and the Invention of Collage Christine Poggi Недоступно для просмотра - 1992 |
Часто встречающиеся слова и выражения
According Apollinaire appear artists Balla become Boccioni Bottle Braque called canvas Carrà collage Collection color constructions contemporary create critics Cubist culture decorative discussed drawing dynamic early effect elements example exhibition experience expressive formal fragments frame France French Futurism Futurist Glass Gris ground Guitar ideas images imitation invention Italy Kahnweiler language late letters light lines Mallarmé Manifesto March Marinetti materials means ment Museum nature newspaper objects opposition original Pablo Picasso painting papiers collés Paris parole pasted papers Picasso pictorial picture plane play poem poet poetry possible practice Press published pure reality refer relation remained represent representation reveal sculpture seems sense Severini signify signs Soffici space spring structure suggest surface techniques theory tion titled traditional unity University Violin visual wall wallpaper writing York
Ссылки на эту книгу
The Revolution in the Visual Arts and the Poetry of William Carlos Williams Peter Halter Ограниченный просмотр - 1994 |
The Culture of Fragments: Word and Images in Futurism and Surrealism Clara Elizabeth Orban Ограниченный просмотр - 1997 |